Margot Kidder: ‘Superman’ star died from ‘self-inflicted drug and alcohol overdose’
Margot Kidder’s death has actually been ruled a suicide. Park Region (Mont.) Coroner Richard Wood validated to the Associated Press that Kidder passed away “as an outcome of a self-inflicted alcohol and drug overdose.” The starlet was discovered by a good friend in her Livingston, Mont., house on Might13 She was 69.
Kidder’s child, Maggie McGuane, informed the AP, “It’s a large alleviation that the reality is around.” McGuane, a just kid, kept in mind that Montana has among the highest possible self-destruction prices, including, “It is very important to be open as well as truthful so there’s not a cloud of pity in handling this.”
McGuane proceeded, “It’s a really distinct kind of pain as well as discomfort. Understanding the number of households in this state undergo this, I desire that I might connect to each one of them.”
Kidder is finest kept in mind for playing Lois Lane contrary Christopher Reeve in the Superman movies. The Canadian-born starlet had actually long been open concerning alcohol and drug dependencies, which she stated partly caused her really public break down in1996 The display symbol was similarly open concerning her bipolar medical diagnosis.
When discussing her long-lasting fight with a mental disorder, she informed the L.a Times, “I understood I was various, had this mind trips that individuals really did not appear to have. And also I had deep clinical depressions.” Kidder turned into one of Hollywood’s initial as well as most famous psychological health and wellness supporters.
Kidder, that played Lois Lane contrary Christopher Reeve’s Superman in her most well-known duty, was discovered by a good friend in her Montana house on Might13 At the time, Kidder’s supervisor, Camilla Fluxman Pines, stated Kidder passed away quietly in her rest.
A declaration launched Wednesday by Park Region coroner Richard Timber stated she “passed away as an outcome of a self-inflicted alcohol and drug overdose” which no more information would certainly be launched.
Maggie McGuane, Kidder’s child by her ex-husband Thomas McGuane, informed The Associated Press in a phone meeting that she understood her mom passed away by self-destruction the minute authorities took her to Kidder’s house in Livingston, a village near Yellowstone National forest.
” It’s a large alleviation that the reality is around,” she stated. “It is very important to be open as well as truthful so there’s not a cloud of pity in handling this.”
Why must children listen to nursery rhymes – does it help?
There are a lot of benefits from learning about nursery rhyme activities. The nursery rhymes can help children in learning about rhythm, music, rhymes, and influence their auditory skills. These rhymes can also help to develop the memory and cognitive skills in children. In this article, you will learn about the different benefits of exposing your children to nursery rhymes.
Many studies have been conducted to determine the effectiveness of nursery rhymes. The studies have shown that nursery rhymes will help children who have difficulties learning to read and recognize words that rhyme. Preschools and even daycare centers place importance on rhymes and familiarizing children with them daily.
The nursery rhymes will allow your children in developing the necessary auditory memory skills as they will be working hard to learn about the words from the rhymes and poems they hear. You can help your children learn how they can speak at an early age by making them listen to nursery rhymes. Nursery rhymes will help them in memorizing things quickly and remembering them for longer times. It will go on to help them in building upon other essential skills in the future which they will be exposed to in their school.
One of the most significant benefits of nursery rhymes is in the promotion of word pictures. A lot of nursery rhyme boos would be filled with photos and images of various things which can help children in increasing their creativity. These pictures found from the books will help in activating awareness for a lot of object and several other things when children see them. They will also be more willing to learn from nursery rhymes.
Nursery rhymes can also promote in helping children acquire acting and such related skills. You can take any ordinary nursery rhyme and then change it into a fun nursery rhyming game. If your children can read, sing, or act out the rhymes together, then you can help them in learning together and make the experience more fun. The most useful way to make children acquire good habits is by getting them to learn it by themselves. You can help your child get more active in his learning abilities by spending some time with your children to help them read nursery rhymes.
Perhaps a unique benefit of nursery rhymes is that they will help in teaching children about humor. Children will learn how they can develop and also understand different types of humor from listening to nursery rhymes. They will also help in promoting their mathematical skills. A lot of nursery rhymes incorporate mathematical reasoning in the form of counting, heights, measurements, weather, positions, temperature, and so on.
When you are reading nursery rhymes out to your children, you can consider in taking some time to explain some mathematical concepts also. You can also use these rhymes in boosting their reading and listening prowess. You can find other benefits which listening to nursery rhyme can bring to your children.
If you want to read more about the benefits of nursery rhymes, you can subscribe to our website now!
BoxOffice: Bumblebee Makes A Strong Start In China
Transformers franchise’s latest spinoff flick, Bumblebee, has made a superb entry in the Chinese market with a great collection of $59.4 million in its first week, after its release in the country recently. The movie, directed by Travis Knight, was being called a failure previously by many trade experts due to a lukewarm response on the domestic, home box-office in the US.
But after the good reception in China, the movie is sure to become a great hit, if not very-very astonishingly fantastic. But as far as the worldwide box-office collections are concerned, then Bumblebee will definitely end up to be a great grosser. Another thing that’s worked for it in China is that Transformers movies have always been a hit among the Chinese audiences. The action-adventure film is gradually closing in towards a global total of $300 million, as of now, which is really good for it.
With its great earnings in the first week in China, it also dethroned DC and Warner Bros’ superhero blockbuster Aquaman, which is currently ruling the worldwide box-office, with an estimated total of above $940 million! The movie is surely going to cross $1 billion mark, in a few days from now and it will be the first time for a rebooted universe of DC, as far its highest grossing movie is concerned.
The Bumblebee movie stars Hailee Steinfeld, John Cena, and Gracie Dzienny, and Jason Drucker, among others. The voice of Bumblebee is given by Dylan O’Brien while there is also the famous Optimus Prime but in small appearances. His iconic voice is given by Peter Cullen.
The film tells the story of a girl who meets an Autobot, called Bumblebee and then they both start to share an inseparable bond until the end, like true friends. But they also have to face various obstacles and situations testing them, consistently.
The movie is distributed by Paramount Pictures and produced by Tencent Pictures, Allspark Pictures, and Di Bonaventura Pictures.
Watership Down Review – A Series That Teaches You Ways of Life
Cast: James McAvoy, Nicholas Hoult, John Boyega, Gemma Arterton, Peter Capaldi, Olivia, Colman, Ben Kingsley
Director: Noam Murro
Network: Netflix, BBC One
There’s always a point in life when you are confronted with the most inevitable hardship, you’ve ever faced. What do you then? Well, if you’re a fearless and optimistic being then you fight it till the moment you win, despite knowing it will destroy you. That’s exactly the thing BBC One and Netflix’s co-produced animated mini-series Watership Down tells you to believe. Never lose your hope, your courage, and your spirit to fight.
There’s no great thing that this series does, but what it does is simply subtle yet relevant; tickling your thoughts about the world, humanity and yourself too.
Although it’s a second time that the famous 1972 novel’s story (Watership Down by author Richard Adams), has been adapted, it still feels like a refreshing take. When it was last adapted as a movie, back in 1978, by Martin Rosen and John Hubley, it was appreciated critically.
The latest take by BBC One (released on December 22nd, 2018), and streamed by Netflix from December 23rd, 2018, is a commendable one since this animated series keeps one thing constant – the essence and struggle of the characters. Throughout the four episodes, you are never let down by its impact of various emotional scenarios that it dives into. And yes it’s a story about the survival and adventures of a group of rabbits, still, you’re left asking questions to yourself too. Because there are lots of similarities you can make out.
The magnificence of the rabbits’ characters also come from the fact that they are voiced by famous actors like James McAvoy, John Boyega, Nicholas Hoult, and also Ben Kingsley.
The story is about the home-ridden group of rabbits who have to find a new warren for themselves, but are faced with constant obstacles and challenges in form of the ‘evil warren of Elfrara’.
Now, calling it an outstanding version of the novel won’t be justified but the way it’s been handled by director Noam Murro is admirable. Yes, the animation will disappoint you in scenes needing more expressive relations among the rabbits. It’s not having one of the best and highest standards of animated effects by any means. Many of the fans of the novel may ignore this series based on just this aspect. But still, it deserves your attention.
The voice cast is the biggest reason for you get hooked to it from the very start and till you reach the end, you’re left satisfied; inside your heart that you completed the journey with those rabbits too. They succeed in touching your heart, in many ways. And because there are so many, it just becomes all the more emotional and relatable.
Main characters like Hazel (voiced by James McAvoy), Fiver (voiced by Nicholas Hoult), and especially Bigwig (voiced by John Boyega) are hard to miss. And a very important role of a bird, named Kehaar (voiced by Peter Capaldi), is the highlight to look for. Despite he’s for only a few scenes, he leaves a great impact; especially towards the last episode he turns out as a ‘brave hero’. Other supporting characters like Clover, Bluebell, Captain Holly, and Hyzenthlay catch your attention too.
General Woundwort (voiced by the great Ben Kingsley), shines as a depiction of pure evil, just like a ‘human interpretation’. He is merciless, cruel, unforgiving, and as fatal as possible. Kingsley’s voice just makes him all the more compelling.
Female rabbits involving Clover (voiced by Gemma Arterton) and Hyzenthlay (voiced by Anne-Marrie Duff) play an important part in the storyline too, by playing key roles in tough, demanding situations.
On a broader level, this series may seem to be just an average-animated adaptation but when being observed in a deeper manner the relevance can be clearly understood. The relevance of being a human, having generous qualities, being free of hate, and any inhuman characteristic. You are taught the ways of life through a bunch of creatures who are never down on themselves, no matter what. They always stay together, fight together, ready to die for each other and share great empathy.
This series deserves a second season, without any doubt. Because it will be really-really exciting to see what the rabbits do next on their new adventure that their life takes them to. And hopefully, the animation will be even better next time.
For now, it’s still a great watch. If you’re a fan of cartoons, animals, tales of varying emotions, while also expecting some important life lessons, then Watership Down is for you, definitely. Not to mention the fantabulous theme song, Fire on Fire, performed by singer Sam Smith, which is tremendously charismatic to your ears.
Bird Box Review – A catchy plot, Executed in a lazy style
Cast: Sandra Bullock, Trevante Rhodes, Sarah Paulson, John Malkovich, Lil Rel Howery
Director: Susanne Bier
If ‘A Quiet Place’ ever had a sequel, then its new plot could have been exactly similar to what Netflix’s latest movie Bird Box has. The only difference is that A Quiet Place’s sequel would have turned out to be much much better at presenting it, meaningfully.
That’s the thing about ‘Bird Box’ that says it all. It’s a half-baked cake, with a taste that fades away very early than thought.
Netflix’s drama/thriller about a monstrous and mysterious entity that decimates people who see it, had a vast potential to be a fantastic horror flick, but it just didn’t land as expectedly. Actress Sandra Bullock stars as Malorie, who’s a mother of two and on a deadly journey to reach to a safer place, protected from the mysterious force that kills anyone who sees it, keeping the eyes open. So she puts a blindfold on her eyes and her children’s too.
The plot is so catchy and interesting that at first the movie pulls you in very easily and makes a kind-of promise that you’re in for a breathtaking and mindboggling struggle for survival by the main protagonist from an unknown, fatal monstrous entity. But just the moment it could gain that strength, it looses it all. Despite having a similarity of the plot with Paramount Pictures’s ‘A Quiet Place’, it was still appearing to be a ‘solid story’, which, it couldn’t achieve to be, at all.
Another reason is the lack of strong supporting characters. Yes, there are some but they don’t serve the purpose here. And some characters just feel so void that they felt out-of-the-story since it would have been the same scenario even if they were not there.
Irrelevant elements distress you from the ongoing struggle and tension, every time, and which ultimately makes this flick an over 2-hour drama, that could’ve easily been a 1 hour and 30 minute gripping plot. And the real ‘thing’ about which this flick tries to tell you the survival story of its character, actually remains unseen, even till the end! Seriously?
Director Susanne Bier should’ve kept it more basic and intact as far as the actual, key components of Bird Box are concerned, which are the mother, and her two children, and how they deal with finishing off their dangerous journey to a hopeful destiny. Adding ‘even a few’ things in-between just didn’t fit into it, rightly. In a survival story like this, where there’s the end of the world and all you’ve got is to make yourself the last living person, the objective must be to just stay close to the plot – no moving here and there. And ‘A Quiet Place’ is a perfect example of following this principle.
Despite all this, the film is a one-time watch since the photography looks amazing and attractive, making you feel that atmosphere of an apocalyptic situation. Some really engaging sequences make you interested but leave no impact. But the scenes, going through the river are great to watch.
There’s no other actor or actress in this movie who you can remember for leaving an impression since there’s ‘no connect’ you can make with them, whatsoever.
Bird Box had a lot of things going for it yet it didn’t keep it simple and straight and tried to be a bit extra from what it should’ve been. It makes you want to be involved in it, but you realize very soon that it’s not worth it in ‘that way’. The ending is what it shouldn’t be. And that’s what really ruins this flick, seriously. Because you are left wondering about the danger and how the characters just managed to save themselves from it! The director could’ve tried to make it more understandable and deeper.
Many of the questions remain unanswered which leads to utter disinterest. And it just continues.
These days, there are a lot of talented filmmakers who come up with exceptional horror or survival dramas, so when there’s a weak entry like this, viewers leave no chance of comparison and analyzing too. They are intelligent now.
Top 10 Disappointments of Entertainment in 2018
2018 was a fantastic year for movies and TV. This is the year that gave us Infinity War, Black Panther, and Spider-Man: Into the Spider-Verse, and that’s just looking at some of the good Marvel movies released this year. On the TV side, we got The Haunting of Hill House, Netflix’s weird sci-fi show Maniac, and many more instant classics.
But that pendulum swings the other way, too. For all the great entertainment in 2018, there were also plenty that didn’t live up to the standards we expected. These were movies and shows that we were excited for – however tentatively – and that turned out to be huge let-downs.
Here is the list of 15 shows and films that did not live up to the expectations of the viewers and were somewhat big – or small – disappointments.
1. Jessica Jones Season 2
The first season of Netflix and Marvel’s Jessica Jones was easily one of the best examples of the collaboration between the streaming and comics giants, possibly even the best of all these shows. We were excited about Season 2, right up until the point we actually watched it.
Well, trying to do a Marvel superhero story without an actual villain is a bold idea that could have paid off. Unfortunately, it simply didn’t in this case. The season’s main plotline and massive twist was ruined by bad casting as Janet McTeer and Krysten Ritter had absolutely zero chemistry as alleged family members. And every storyline was a total bore. Unlike the other Marvel/Netflix shows, Jessica Jones hasn’t been cancelled yet, but we hope that will likely change soon.
2. American Horror Story Apocalypse
The eighth season of American Horror Story had a great premise: Not only was it the end of the world, but it also promised to finally tie events from the show’s previous seasons together, from the original Murder House to Coven and beyond. It even got off to a promising start, as the first couple of episodes of Apocalypse set up plenty of mysteries we couldn’t wait to learn the answers to.
But after those opening episodes, Apocalypse took a wrong turn. Yes, it felt like a fun twist at the time, but the following episodes proved disappointing week after week. The show started providing answers, but they weren’t the ones we wanted. It spent a half dozen episodes in flashbacks and the all the actions we wanted came to long after. By the time Roseanne star Sandra Bernhard joined the cast for a terribly cheesy turn as a Satanic cult leader, I was done with this season of American Horror Story. Weren’t you?
Seeing a Marvel movie on the list is really surprising. Even I was while writing. But, it happened. Venom is a movie that feels like it was written in 1998 by a 7-year-old, then buried in a time capsule, unearthed 19 years later, and made into a movie without a single revision to the draft. It is truly a movie from another time, and all that’s missing is someone doing a kick flip over a set of steps while Korn plays in the background. From Tom Hardy’s accent choices, to the movie turning into an over-the-top action flick where the final battle is filled with muddied CG, those who were looking for a great Sony spin-off movie found themselves a bit disappointed, even though this movie made $800 million, worldwide.
As for the story, it went a number of directions, many of which could have been a good movie of their own. Eddie Brock working as a journalist and ruining his girlfriend’s career: it’s okay. Brock trying to rebuild his life and take down the Life Foundation: even it is okay. Brock losing his mind when the Venom symbiont is taking over, creating a horror aesthetic: it is okay too. Wacky buddy cop movie starring Eddie Brock as the fall guy covered in black oil that talks funny and wants to eat livers: this is not okay, Venom. The weird comedic choices this movie made killed it for so many viewers. Why does Venom need comedy?
However, with the announcement of the home release of the movie, fans of the Venom character were desperately hoping for the rated-R cut of the movie. However, upon its release, fans got three deleted scenes, some behind-the-scenes footage, and that’s about it. As much as we wanted an extended scene of Woody Harrelson in a red wig, this wasn’t what the people wanted to see. Venom is one of the few movies in 2018 that disappointed people twice.
4. The Predator
The original Predator is unquestionably an ‘80s classic as it combined sci-fi horror thrills and exciting action, and helped make Arnold Schwarzenegger one of the biggest stars in the world. But unlike the Alien or Terminator series, the quality drop from that first movie was fast, and none of the following films were anywhere near as good as the first. So expectations for a new Predator movie in 2018 should not have been high. But the fact that Shane Black was on board to write and direct suddenly raised hopes that he might actually deliver something to equal the first movie. What would the writer of Lethal Weapon and the director of Iron Man 3 do with this series?
Unfortunately, as it turns out, not very much. The Predator was just as mediocre as its predecessors, and was badly hurt by extensive reshoots and incoherent editing, as well as the controversy about certain casting choices that Black had made. The Predator has its moments—the cast is good, there are some funny scenes, and some of the early action is exciting. But the film gets worse as it continues, and emerges as what we should have guessed it would be all along—yet another not-very-good Predator movie. Time to skin this franchise and hang it upside-down for good.
5. Westworld Season 2
Westworld Season 1 was easily one of the best seasons of sci-fi TV ever, which made our hype levels for Season 2 off the charts—maybe even a little too high. Maybe there’s a parallel universe where Westworld Season 2 lived up to our expectations, but that proved impossible in this one.
Where Season 1 was a carefully plotted, well-paced exploration of well-trod science fiction themes, Season 2 was a total mess in comparison. The tone was uniformly grim, the characters we used to like were unrecognizable, the plot was muddled beyond comprehension, and important details were withheld for no reason other than to string viewers along. The show’s creators must have been mad at the Redditors who guessed all the twists in Season 1, because Season 2 seemed designed mostly to befuddle the show’s most dedicated fans. By the time it reached its conclusion, we didn’t want to know the answers anymore—we just wanted it to be over. Right?
6. Fantastic Beasts 2: The Crimes of Grindelwald
In The Crimes of Grindelwald’s third scene, a character who we never learn anything about despite her constant presence throughout the entire movie murders a toddler, for no reason, just off screen. Even Michael Myers, famed slasher movie villain of the Halloween series, didn’t sink that low, although you could tell in the most recent one that he considered it for a moment.
This moment perfectly sets the tone for the rest of this movie: a grim, overly dramatic, mean-spirited entry into the Harry Potter universe. Fantastic Beasts 2 can accurately be described as a loosely connected series of mostly sequential events, though it’s often unclear how it gets from one scene to the next or why the characters do any of the things they do. Maybe worst of all, The Crimes of Grindelwald has no sense of wonder at its own magical world. Millions fell in love with Harry Potter because the wizarding world felt like a place you’d want to live, despite its bad elements. Inhabiting this movie’s magical alternate history for a couple of hours will just make you want to get obliviated so you can forget the whole thing.
7. The Cloverfield Paradox
The Cloverfield Paradox starts out riffing on the early structure of movies like Alien and The Thing, with some cursory efforts to establish personalities and relationships for its half dozen or so characters. They’re all basically interchangeable by the end, and you’ll be hard pressed to remember most of their names by the time the credits roll. But the movie really starts to fall apart once the crew activate the particle accelerator—a poorly explained attempt to solve an energy crisis back on Earth—and find themselves suddenly staring at a star-filled void where the Earth used to be.
There are some memorable moments early on, like when a mysterious stranger arrives on the station by apparently teleporting into the interior of a wall, wires and power conduits spliced through her hands and legs like vines that grew through her. The movie’s few moments of body horror—like another scene involving a character’s eyeball—are its high points. But The Cloverfield Paradox quickly devolves into total camp nonsense from there on out, and it never recovers any of its early poise. After 10 Cloverfield Lane, we were excited to see where the Cloverfield universe would expand next, but no longer.
8. Pacific Rim Uprising
There was something magical about the original Pacific Rim’s giant monster battles, glossy, rain-slicked colours, and seemingly effortless world-building. It’s possible the sequel never stood a chance at living up to that, especially since visionary director Guillermo del Toro chose to focus on The Shape of Water, which won the best picture Oscar for 2017, instead of returning to direct Pacific Rim Uprising. And sure enough, Uprising was a disappointment.
Most of all, Pacific Rim: Uprising is just confusing. If you haven’t seen the original, it’s unlikely much in this sequel will make sense. Concepts like Drift—the way Jaeger pilots mentally link with one another—are poorly explained, despite this movie spending plenty of time attempting to recap and revisit past events. And if you did like the first Pacific Rim, you’ll likely wonder what happened to all the distinctive side characters, the stylish action, and the flashy aesthetic. Pacific Rim: Uprising might have seemed like a pretty good giant monster movie if it didn’t have to live up to the gigantically cool original, but unfortunately, it simply can’t escape its predecessor’s massive shadow.
9. Solo: A Star Wars Story
Solo: A Star Wars Story made nearly $400 million at the box office. But in the franchise era, when film companies spend hundreds of millions of dollars to make hundreds of millions more, this was considered a box office flop, especially against the film’s $250 million budget.
Yes, Solo was poorly marketed; it came out five months after The Last Jedi, which prevented it from building steam. But Solo’s failure also confirmed a problem that was present in the prequel trilogy and present in Rogue One: We do not need answers and backstories to the most granular details of the original trilogy. They’re better left to the imagination.
We don’t need 30 minutes of CGI to explain why the Kessel Run is important. We don’t need to learn how Han got his dice, or how Han got his blaster. These things lose their mystery and their specialness when they’re over explained, and they cheapen rather than enrich the source material. Nostalgia is a poor substitute for narrative, as Solo unfortunately demonstrated.
10. WWE (All Rosters)
The year started off well for the WWE as there was a wonderful Royal Rumble, followed by a fantastic WrestleMania. But history will remember 2018 as the year that WWE got caught with their pants down. They put dollars over ethics with their ongoing Saudi Arabia partnership. And when their top star, Roman Reigns, relinquished the Universal Championship to fight a recurring battle with leukaemia, WWE hit the panic button and put the belt back on Brock Lesnar, a part-time, rarely-seen-on-TV champion. This is what happens when you’re too singularly focused on a single wrestler, to the rest of the roster’s detriment. No one is ready to step up.
SmackDown is consistent. Developmental league NXT remains consistently brilliant. And the women’s roster, with Becky Lynch and Ronda Rousey at the forefront, is firing on all cylinders; they’ll probably main event WrestleMania in 2019. At least they should.
But across the board, the men’s division needs better writers and more compelling reasons to fight one another. Monday Night Raw, in particular, is going through a rough patch, running an “evil Authority” playbook that the company has copied, ad nauseam, since 1998. The ring work is phenomenal – better than it’s ever been – but the narrative stakes feel low. And these performers, who risk their lives for our entertainment, deserve better.
These were the biggest disappointments in the entertainment of 2018. I know not all shows and films on the list are bad – at least according to many of you – but these lacked something and hence are on the list. Think yourself
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