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DJ Moby Vows He Will Flee To Canada If Trump Is Re-Elected

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DJ Moby Vows He Will Flee To Canada If Trump Is Re-Elected

DJ Moby states he will certainly leave the USA as well as run away to Canada if the Democrats stop working to take your home after the midterms as well as Donald Trump is re-elected in 2020.

The Digital songs DJ as well as liberal protestor is the most recent celeb intimidating to ditch the United States in objection versus Trump

Last Thursday he informed the target market at Los Angeles’ Royal Residence Cinema: “I need to claim, like everybody, I get on routine event Googling, ‘Just how do you end up being a deportee? Just how do you obtain Canadian citizenship? What are a few other nations I think about transferring to?’

” Since if the Democrats shed the midterms as well as Trump wins in 2020, I’m done, due to the fact that they’re doing every little thing in their power to deteriorate the type of checks as well as equilibriums.”

Breitbart records: Moby was signed up with by a variety of rock’s most prominent musicians, consisting of Foo Fighters frontman Dave Grohl, Karen O as well as Nick Zinner of the Yeah Yeah Yeahs, as well as singer-songwriter Beck.

 More:10 MCU Movies Coming in Next 4 years By Disney’s Marvel Studios: 1 film dropped!!!

The sold-out program was arranged by Turning Left, which expenses itself as a modern team utilizing innovation to attach volunteers with dynamic political prospects.

Over the weekend break, Moby published an image to Instagram positioning with Grohl, Beck, as well as Rep. Adam Schiff (D-CA) in advance of the occasion.

Moby, a regular doubter of Head of state Donald Trump, bizarrely asserted last January that existing as well as previous Central Knowledge Company (CIA) representatives begged him to increase recognition regarding supposed collusion in between the Trump project as well as the Russian federal government.

” They resembled, ‘This is ‘The Manchurian Prospect,’ like [Vladimir Putin] has a Russian representative as the head of state of the USA,” Moby claimed in a meeting with WFPK’s Kyle Meredith. ” So they handed down some details to me as well as they claimed, like, ‘Look you have even more of a social media sites complying with than any one of us do, can you please publish a few of these points … type of placed it available?'”

 More: Donald Trump’s new USMCA – Trade deal between the US, Canada and Mexico

Mahesh is leading digital marketing initiatives at RecentlyHeard, a NewsFeed platform that covers news from all sectors. He develops, manages, and executes digital strategies to increase online visibility, better reach target audiences, and create engaging experience across channels. With 7+ years of experience, He is skilled in search engine optimization, content marketing, social media marketing, and advertising, and analytics.

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King: Gig economy focuses on worker independence

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King: Gig economy focuses on worker independence

Napoleon didn’t deride the English as “a nation of shopkeepers,” although that phrase is commonly attributed to him. In fact, it was Bertrand Barere de Vieuzac, a French revolutionary who used it when attacking the achievements of British Prime Minister William Pitt, the Younger.

I think Napoleon was too smart not to have realized that a nation of shopkeepers is a strong nation, and that if the English of the time were indeed a nation of shopkeepers, they would constitute a more formidable enemy.

A nation of shopkeepers, to my mind, is an ideal: self-motivated people who know the value of work, money and enterprise; and who are almost by definition individualists. So, I regret the constant threats to small business coming from chains, economies of scale, high rents and some social stigma.

But mostly I regret that in our education system, self-employment isn’t celebrated and venerated as being equivalent to work at larger enterprises. We define too many by where they work, not by what they do.

I have always believed that one should aspire to work for oneself, to eschew the temptations of the big, enveloping corporation and to strike out with whatever skills one has to test them in the market and to have the customer, not the boss, tell you what to do.

Our education system produces people tailored to be employed, not self-employed.

But things are changing. The gig economy was well underway before the COVID-19 pandemic hit, and now it is roaring. Many employees found that the servitude of conventional employment wasn’t for them.

The gig world differs from the small business world that I have described in that it is small business refined to its absolute core: a one-person business, true self-employment.

There are many advantages in self-employment for society and for the larger business world. Hiring a self-employed contractor is easier for a company, not having to create a staff position and pay all the costs that go with it. Laying off a contractor isn’t as traumatic. The worker is more respected, and is asked to do things not commanded. The system gains efficiency.

But if employers come to see the gig economy as just cheap, dispensable labor, then the gig economy has failed.

The gig worker shouldn’t expect security but should be treated in a business-to-business environment. He or she needs to know how to drive a bargain and to have the moral courage to ask for a contract that is fair and recognizes the value that is intrinsic in the gig relationship.

I am a fan of Lyft and Uber. They offer self-employment to anyone with a driver’s license and a car — and the companies will even get you into a car. But the bargain is one-sided. The driver has the freedom to work what hours he or she chooses but not to negotiate the terms of their engagement. That is decided by a computer in San Francisco.

This gig worker can’t hope to hire other drivers and start a small business: It doesn’t pass the gig contract concept. I have talked to many ride-share drivers. They revel in the freedom but not the income.

Gig workers can be, well, anything from a plumber to a computer programmer, from a dog walker to an actuary.

But for the free new world of gig working to become part of our business fabric, the social structure needs to be adjusted by the government to allow for the gig worker to enroll in Social Security and to charge expenses against taxes as would an incorporated business. Jane Doe, who makes a living designing websites, needs to know that she is a business, not just freelancing between jobs.


Llewellyn King is executive producer and host of “White House Chronicle” on PBS. This column was provided by InsideSources.

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‘Ordinary Joe’ star riffs on show’s ‘what if’ premise

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‘Ordinary Joe’ star riffs on show’s ‘what if’ premise

The new NBC drama “Ordinary Joe” stars James Wolk and envisions one character’s life as it progresses along three different career paths: as a cop, a nurse or a famous musician.

“The show is a ‘what if?’ premise,” said Wolk. “What if you had made a certain career choice, and how does that drastically affect your life? In our story, I play Joe Kimbreau and you see him on the day he’s about to graduate college and he’s faced with three very different paths.”

Had Wolk’s life taken a different direction, he might have gone to law school, he said. But acting it was, and for many audiences one of his more memorable roles was on “Mad Men” as the upbeat account man Bob Benson, aka the guy on the receiving end of Pete Campbell’s indignant “Not great, Bob!” mini-tantrum.

Wolk’s credits also include “Lone Star,” “Political Animals,” “Goliath” and “Watchmen.” When asked about a cringeworthy moment from his career, he told a story about the CBS drama “Zoo,” about a global animal uprising. Wolk starred as a zoologist who is running safaris in Africa when the show begins.

It ran for three seasons from 2015 to 2017. But his first day at work was one for the dogs.

His worst moment: “I was playing a character who had spent 10 years in South Africa, and when I got the role I called my friend who is South African and I said, ‘OK, I want to come in with a strong South African accent. Because this guy grew up there, he’s been living there for 10 or 15 years — don’t you think he’d have a South African accent?” And my friend said, ‘Yeah, of course he would.’

“He lives in the States now, so he put me on the phone with a bunch of his friends who he grew up with in South Africa. And I’m going through hours on the phone with these guys. I’m getting the lingo, I’m getting their slang, I’m working on the accent. I’m going deep into it.

“And I go down to Louisiana, where we filmed the show. And my wife had said to me prior to the first table read, ‘Jimmy, did you do the South African accent at any other point, like when you read for the role or when you met with anyone?’ And I said, ‘No.’ And she said, ‘Well, did they tell you should have a South African accent?’ And I said, ‘No. No, no, no — but this guy has been living in South Africa for 10 or 15 years, you don’t understand, he would have a South African accent. I’m a serious actor, I’m going to have this accent.’

“So I ignored her advice and went to the table read. And because it’s the first day, people from the network are there, the producers are there, the writers are there. I was playing the lead of the show, so I had a lot of lines. It wasn’t just one scene. So I did the entire script with a South African accent. And slang, like: ‘I’m from Joburg!’ (Slang for Johannesburg.) I just went for it. Every scene.

“We finish the table read. And afterward our creator-executive producer slowly walked over to me and he goes, ‘Hey.’ And I go, ‘Hey, what’s going on?’ I’m thinking: I nailed that.

“And he goes, ‘So … what’s going on with your voice?’ And I said, ‘What do you mean?’ And he was like, ‘You’re kind of saying certain words certain ways.’ And I said, ‘Yeah, I’m doing a South African accent.’

“And he goes, ‘Yeah. Don’t do that.’ ”

— Tribune News Service

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Finding cause of pup’s upset tummy

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Finding cause of pup’s upset tummy

As luck would have it, my dog finally stopped throwing up after a few days, but I wonder if you might add some insight into the cause. My dog is just under a year old and is a pitbull cross. She is spayed and fully vaccinated. Two weekends ago, I took her to a large outdoor festival where there were a lot of dogs with their owners. Many of the dogs drank water from the same bowls as we made sure to hydrate them during a hot day. The following day, I gave her some treats with some of the meat trimmings left over from our barbecue. It was the next day that she started vomiting some yellow bile in the early morning and this happened a few times as well as the next day. Could either the shared water or the meat been the cause of her vomiting? I want to make sure that I avoid exposing her again to whatever made her sick. Lastly, should I be concerned? Could she have picked up a parasite?

Sometimes we do not know what causes a dog to vomit. Vomiting may occur immediately after ingesting something that does not sit right with the stomach, or it can occur some time later. What you describe is called bilious vomiting, which is sometimes seen with an empty stomach, more often in the morning hours due to stomach acidity and a lack of food. It is usually not problematic and can be corrected by changing diet, time of feeding or medications as needed.

As such, it may be that neither the shared water bowls nor the meat trimmings caused what you observed and since it seems to have resolved there is little need for concern. There can always be some small amount of risk associated with many dogs being together, including parasitism, so having a fecal sample tested for that might be worthwhile. Giving a dog meat trimmings needs to be done carefully since some dogs have sensitive stomachs and too much fat can lead to a bout of pancreatitis.

Between your two events, there is always the possibility that your dog may have also ingested anything else that might have triggered an upset stomach but luckily it sounds as if things have resolved. Should the vomiting return, I would have your veterinarian take a look at your dog.


Dr. John de Jong owns and operates the Boston Mobile Veterinary Clinic. He can be reached at 781-899-9994.

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Franks: Fine members of Congress for not doing their jobs

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Franks:  Fine members of Congress for not doing their jobs

The last time Congress successfully fulfilled its administrative duties was during my third term in Congress in 1996 for fiscal year 1997. At that time, all 12 regular appropriation bills to fund the federal government were enacted before the start of the new fiscal year, which begins Oct. 1. Since then, we have been relying on continuing resolutions to fund the government. How can we stop the madness?

Just imagine if you failed to perform your job for 25 years, but still boldly requested a new service agreement every two to six years, per House or Senate re-election. Your boss may be impressed by your chutzpah, but he or she would likely laugh in your face and suggest you admit yourself into some other type of institution other than Congress.

This is a bipartisan problem. The mainstream media should be screaming daily about this, demanding that members of Congress do the basics and informing Americans of their negligence in doing so.

Americans should also know that Congress has only 15 cents to every annual dollar to spend on discretionary items once massive spending for our military/national defense is removed. It was not this way when I was in college. We had more than 60% of our federal budget for discretionary items and federal government agencies.

What has changed? Our national debt for one thing. It is out of control. As of today, our debt has ballooned to more than $28 trillion. It first eclipsed $1 trillion in 1981 when Reagan was president and Joe Biden was a senator. Our national debt is a bipartisan failure.

Of the $4.4 trillion federal budget of 2019, most of the dollars spent went toward mandatory entitlements, which accounted for nearly 62% of the whole. These entitlements — Social Security, Medicare, Medicaid being the largest — must be paid to those eligible to receive them.

Then we must attend to our massive debt, which grows by the second. This debt accounts for about 8% of our entire budget. Defaulting on our debt payments is not an option.

That leaves 30% for discretionary spending. Remember, about 15% of the 30% is spent on our national defense. That leaves us with a dime and five pennies, or, if you prefer, three nickels. Not good.

Solutions

1. Make the funding of the government and all budgetary matter biennial. Congress has more than proven that it cannot do the job on an annual basis. With an additional 12 months, hopefully, it can be accomplished on time via regular order and frequent open rules on the House floor for rigorous debate.

2. Seriously discuss entitlements, the elephant in the room. They cannot be allowed to eat up most of our yearly budget, despite the obligations to our fellow Americans, who did nothing to deserve ill treatment or a severely diminished quality of life.

3. The people who deserve admonishment are our politicians. Today, yet another potential federal government shutdown looms.

Congress and the White House should be able to at least complete the basics of governing smoothly or be forced to do so by risk of a personal penalty or fine.

The three triggers for punishing members of Congress should be related to the three most basic parts of their job — passing a budget, funding the federal government under regular order and managing the debt status of the United States.

A fine should be a percentage of their adjusted gross income from their most recent federal tax return. This would make it fair. Make the fine equal to 10, 15 or 20% of their AGI payable to a nonprofit like the United Way of America.

The result? Congressional gridlock would end. There would be a rebirth of compromise and bipartisanship. The work in Congress would get done.


Gary Franks is a former U.S. representative from Connecticut and visiting professor/adjunct at Hampton University, Georgetown University and the University of Virginia. He is now a public policy consultant and columnist. This column provided by Tribune News Service.

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McCaughey: Biden stabbing non-union workers in the back

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McCaughey: Biden stabbing non-union workers in the back

Nonunion workers make up nearly 90% of the U.S. workforce. President Joe Biden is stabbing them in the back.

The massive $3.5 trillion budget bill Biden and Democratic lawmakers are trying to ram through Congress discriminates against nonunion workers and even forces some of them to pay higher taxes than union workers.

Union membership in the U.S. has been declining for over 50 years. Biden is bent on reversing the trend, using the federal government to rig the system in favor of organizers and twist the arms of nonunion workers and employers.

Biden said that unions “brung me to the dance,” and he has promised to be “the most pro-union president” ever. Nonunion workers are in for a raw deal, starting with the budget bill.

The bill offers an up to $7,500 tax credit to almost all buyers of electric vehicles, but adds a $4,500 sweetener for buying a union-made vehicle. That sweetener discriminates against nonunion auto workers and threatens their jobs.

Toyota objects that it pits “one American autoworker over another.” But Rep. Dan Kildee (D-Mich.), who took the lead in drafting this provision, says that “in a time when we’ve seen decreased rates of unionization,” he wants to “tilt the scale.”

Coercive tactics such as this don’t belong in legislation. But Biden and his party are determined to make the renewable energy sector unionized. Workers’ rights be damned.

The bill’s tax provisions slam workers who refuse to support a union’s political activities. Union members can write off a portion of their dues even if they take a standard deduction. But some workers in unions choose not to join and instead pay an “agency fee.” That gives them representation without compelling them to support union politicking. The bill punishes that, barring any deduction for agency fees. Workers get stuck with higher taxes for refusing to fund union politics.

It’s a scheme to coerce workers into paying into the union’s political kitty, which — you guessed it — almost always end up filling Democratic campaign chests, no matter what the rank and file want. A whopping 88% of labor union donations went to Democrats in 2020, though Biden got only 57% of the union vote.

The Democrats’ budget bill also threatens hefty penalties on employers who “misrepresent” employees as independent contractors. It’s a backdoor attempt to discourage employers from using freelancers and gig economy workers such as Uber drivers. Why? Because employees can be organized and made to pay dues. Congressional Democrats would like to eliminate independent contracting altogether, but legislation of that nature can’t be crammed into a budget bill under Senate rules.

Also slipped into the Democrats’ colossal bill are new limits on what employers can do when a union tries to organize, though these changes will probably be stripped from the bill by the Senate parliamentarian for failing to be budgetary in nature. Even without them, the bill stacks the deck for unions.

In February, the Retail, Wholesale and Department Store Union launched a campaign to organize Amazon’s warehouse in Bessemer, Ala. Biden got behind the effort, blasting out a pro-union video and offering to send the first lady.

The White House pulled out the stops, but Amazon workers still voted 1,798 to 738 against unionization. However, there’s an ongoing appeal to the National Labor Relations Board.

Unfortunately, Biden and the Democratic Party won’t take no for an answer. They’re also pushing the Protecting the Right to Organize Act, which would outlaw right-to-work laws in 27 states, forcing workers to fall into line and pay dues once their workplace is organized. And in April, the White House announced a task force to identify other ways the federal government can push union membership.

Biden claims it’s to build the middle class. In truth, it’s to benefit the Democratic Party. That’s an outrage.

Workers should be free to choose whether to join a union or not, without Uncle Sam strong-arming them.


Betsy McCaughey is a former lieutenant governor of New York and author of “The Next Pandemic.”

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Artistic Heily, 11, is a fan of sloths

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Artistic Heily, 11, is a fan of sloths

Heily is a bright and engaging young girl of Hispanic descent. Heily is very creative and expresses herself well. She likes being creative, doing arts/crafts, dying her hair with paint, baking and listening to music. Heily also enjoys being out in her community. She also loves animals and is very caring towards them. She is a personable child who cares deeply about the people in her life. She is able to build strong connections with both peers and adults. Heily does well academically and enjoys being in a school setting.

Legally freed for adoption, Heily will do best with a local family who can keep her in contact with her siblings and those she is close with. She will thrive in a two-parent family or in an experienced one-parent household that is structured, energetic and can give her the attention and support that she needs. A family with either much older children or no other children in the home would be best for Heily. She may also benefit from having a visiting resource.

Who can adopt?

Can you provide the guidance, love and stability that a child needs?  If you’re at least 18 years old, have a stable source of income and room in your heart, you may be a perfect match to adopt a waiting child. Adoptive parents can be single, married or partnered; experienced or not; renters or homeowners; LGBTQ singles and couples.

The process to adopt a child from foster care requires training, interviews, and home visits to determine if adoption is right for you, and if so, to help connect you with a child or sibling group that your family will be a good match for.

To learn more about adoption from foster care, call the Massachusetts Adoption Resource Exchange at 617-964-6273 or go to mareinc.org. The sooner you call, the sooner a waiting child will have a permanent place to call home.

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BLO’s new challenge: stage ‘Cavalleria Rusticana’ at rock venue

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BLO’s new challenge: stage ‘Cavalleria Rusticana’ at rock venue

In 2015, director Giselle Ty created a series of immersive theatrical installations at the Peabody Essex Museum in Salem. Titled “All at Once Upon a Time (or Variations on the Theme of Disappearing),” the project took audience members through three floors of the Gardner-Pingree House for dreamlike performances created specifically for the National Historic Landmark. At first blush, Ty’s Peabody Essex installations seem a world away from the director’s upcoming production of  “Cavalleria Rusticana” from the Boston Lyric Opera.

But in a theater scene still figuring out how to thrive while coming out of a pandemic, Ty has adapted what she’s learned in the past to create a unique telling of composer Pietro Mascagni’s one-act opera at a rock venue.

“I’ve done a lot of site specific work where you have to be flexible with what you can do in a space and how an audience lives in that space,” she told the Boston Herald. “At the Peabody Essex Museum, where the space is so present, not only are there logistical concerns like you can’t screw anything to the walls of these historic houses, but also each space has its own vibration, its own soul. You have to acknowledge truthfully and honestly what the space is. Everything doesn’t fit everywhere.”

Boston Lyric Opera’s Michelle Johnson rehearses a scene from “Cavalleria Rusticana” with Adam Diegel.” (Photo by Liza Voll)

For the BLO production of “Cavalleria Rusticana,” Ty needs to navigate a space diametrically opposed to the history halls of the Peabody Essex. The BLO opens its new season with Oct. 1 and 3 performances of  “Cavalleria Rusticana” at the Leader Bank Pavilion, a concert venue on the Boston Waterfront that hosted Alice Cooper, the Violent Femmes and Megadeth in recent weeks.

The move could make these two of the BLO’s best-attended performances — the Pavilion can hold over 5,000 for rock shows, it is an open-air venue on the breezy waterfront making it safer than an indoor space, and tickets start at $10 (that’s less than the cost of a movie). It also makes mounting the show a logistical challenge.

“If you are used to touring with Lady Gaga or pop stars, the show is set and they have done it 200 times,” Ty said. “We have very little time to tech it. Normally BLO would be in residency for a week with more time to do lighting, more time to do spacing, more time to settle into the space.”

At the Pavilion, the BLO can’t bring in a set. The team has only a few hours to map out the production in the space. One performance is at night, one during the day, so lighting will have to shift dramatically.

The BLO team seems to be rising to the challenge — for instance, lighting designer Molly Tiede has created a 3D-model of the lighting design with cutting edge software. Costume designer Gail Astrid Buckley and wig-makeup designer Ronell Oliveri have been instructed to “go a little wilder than a traditional opera house (production).” Ty is working with choreographer Levi Marsman to bring an emotional depth and excitement to the stage without a lot of clunky set pieces.

“I tend to not love naturalistic or realistic staging anyway,” she said. “I’m not a fan of huge, heavy operatic sets even when it’s not a question of time or money. I like things to move.”

The BLO has a reputation for reinventing spaces: Right before the pandemic, the company reimagined an adaptation of “The Handmaid’s Tale” at a Harvard gymnasium and transformed an ice skating rink in the North End into a roadshow carnival with midway games and circus performers for “Pagliacci.”

This version of “Cavalleria Rusticana” looks to continue that tradition while playing to its director’s strengths.


For tickets and details, go to blo.org.

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Best TV and streaming picks for the week ahead

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Best TV and streaming picks for the week ahead

DON’T MISS: “The Tony Awards Present: Broadway’s Back!” — “Hamilton” star Leslie Odom Jr. hosts a lively concert special celebrating the joys of live theater and the reopening of Broadway. Among the stars appearing at New York City’s Winter Garden Theatre and performing stage musical classics are Annaleigh Ashford, Kristin Chenoweth, Andre De Shields, Jake Gyllenhaal, Audra McDonald, Idina Menzel, Lin-Manuel Miranda, Bebe Neuwirth, Ben Platt, Chita Rivera and more. The special follows a livestream presentation of the “74th Annual Tony Awards,” honoring the top shows and performances of the 2019-2020 Broadway season, which was halted by the pandemic. “Broadway’s Back!” (9 p.m. Sunday, CBS); “Tony Awards” (7 p.m., Paramount+).

Other bets

SUNDAY: The new drama series “BMF” tells the true story of two brothers — Demetrius and Terry Flenory — who rose from the streets of Detroit in the 1980s to form a powerful crime operation. Their unwavering belief in family loyalty would be the cornerstone of their partnership and the crux of their eventual estrangement. (8 p.m., Starz).

MONDAY: As a new season of “The Good Doctor” begins, Shaun and Lea’s upcoming engagement party has everyone in a festive mood. Meanwhile, a young single mother learns her son may have contracted his cancer from a surprising source, and Mateo finds out if his previous issues in America will be resolved. (10 p.m., ABC).

TUESDAY: Someone obviously believes prime time could use a good, old-fashioned disaster saga. So bring on “La Brea,” which kicks off when — yikes! — a massive sinkhole opens in the middle of Los Angeles, pulling hundreds of people and buildings into its depths. (9 p.m., NBC).

WEDNESDAY: Tonight’s edition of “Nova” deals with “The Cannabis Question.” It examines America’s relationship with the long-demonized plant and delves into what scientists have discovered about its effects on the body and brain, including the potential risks and medicinal benefits. (9 p.m., PBS).

THURSDAY: Shondaland dramas “Station 19” and “Grey’s Anatomy” launch their seasons with a crossover event. Beginning with “Station 19,” much of the action happens at Seattle’s annual Phoenix Festival, which brings out some reckless behavior that challenges the teams at Station 19 and Grey Sloan Memorial. The storyline continues on “Grey’s Anatomy.” (8 and 9 p.m., ABC).

THURSDAY: Jon Stewart’s back. Will viewers still want to hear what he has to say? The former “Daily Show” host headlines “The Problem With Jon Stewart,” a weekly one-issue series that will focus on current events and issues. (Apple TV+).

SATURDAY: Horror-loving fans should get a kick out of “The Haunted Museum.” Produced in collaboration with filmmaker Eli Roth, it’s a new anthology series that presents hellish tales inspired by the creepy relics on display at Zak Bagans’ paranormal museum in Las Vegas. (Discovery+).

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Editorial: Instagram is no place for kids

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Editorial: Instagram is no place for kids

Social media is a minefield of adolescent anxieties, as any parent can attest. Numerous studies have suggested a connection between excessive use of online platforms (and the devices used to access them) and worrying trends in teenage mental health, including higher rates of depressive symptoms, reduced happiness and an increase in suicidal thoughts.

Even in this grim context, Instagram, the wildly popular photo-sharing app owned by Facebook Inc., stands out. Its star-studded milieu — glossy, hedonistic, relentlessly sexualized — seems finely tuned to destabilize the teenage mind. Studies have linked the service to eating disorders, reduced self-esteem and more.

So perhaps it isn’t surprising that an internal research effort at the company, revealed this month, found that teens associate the service with a host of mental health problems. “Thirty-two percent of teen girls said that when they felt bad about their bodies, Instagram made them feel worse,” said one slide. “Teens blame Instagram for increases in the rate of anxiety and depression,” said another. “This reaction was unprompted and consistent across all groups.”

If Facebook was concerned about these findings before they became public, it didn’t do much. In July, Instagram rolled out several policy changes it said were intended to protect teens, such as limiting how advertisers can target them and setting their accounts to private by default. “Instagram has been on a journey to really think thoughtfully about the experience that young people have,” a company rep said at the time.

Unfortunately, all that thoughtful thinking yielded an incoherent result. In the very same post in which Facebook announced the changes, it also conceded that it was moving ahead with a new version of Instagram intended for children under 13. Dubbed Instagram Youth, the concept was so obviously distasteful that it earned the opprobrium of health experts and consumer advocates, lawmakers of both parties, and nearly every state attorney general in the country.

A letter from health experts could hardly have been blunter. “The platform’s relentless focus on appearance, self-presentation, and branding presents challenges to adolescents’ privacy and wellbeing,” it said. “Younger children are even less developmentally equipped to deal with these challenges, as they are learning to navigate social interactions, friendships, and their inner sense of strengths and challenges during this crucial window of development.”

Facebook justifies this plan on the (rather shameless) theory that, since it has largely failed to keep children off of adult Instagram, the kids’ version will “reduce the incentive for people under the age of 13 to lie about their age.”

One might ascribe all this to Facebook’s standard-issue tactlessness. Its Messenger Kids app is targeted at users as young as 6, even though experts have warned that it’s highly likely to “undermine children’s healthy development.” That these schemes keep going horribly awry doesn’t seem to be much of a deterrent.

One wonders what would be. As a start, lawmakers should pressure Facebook to scrap Instagram Youth entirely and make a more earnest effort to protect teenagers across its services. Congress should consider extending existing online protections for children to all users up to age 15, for example, and create a legal expectation that platforms do more to prevent minors from lying about their ages.

Social media is hard enough on consenting adults. It’s no place for kids.

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Head to Vermont for vivid, vibrant fall foliage

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Head to Vermont for vivid, vibrant fall foliage

The days are shorter and still feel a bit warm here in the Northeast. But in the evening, that crisp autumn air is blowing in.

And I say this: Forget the pumpkin spice flavored everything: Give me the foliage.

Few places give you more ways to celebrate all that seasonal color than Vermont.

This week, as far northern Vermont moves toward peak color and all points south from there begin their show, it’s a great time to head north.

First, some honesty from Michael Snyder, Vermont’s “Chief Foliage Forecaster,” (or as he is officially known, commissioner of forests, parks and recreation for the State of Vermont).

“I was burned by too many misguided snow reports as a kid, so I always like to be transparent,” he said.

Snyder notes that the state did experience an uptick in LDD caterpillar impact on the west side of the state, as well as some Maple Leaf Cutter caterpillar impact on some hillsides throughout the state.

The good news, he said, is that most has grown back and even with the spots where it has not, the vast majority of trees are healthy, the weather has been cooperative and the colors are starting to burst.

In other words: The show will go on.

Dylan Debruyn, meteorologist for Local 22 and 44 in Burlington, told the Herald that viewers are already sending in photos showing brilliant color against the Vermont backdrop with enthusiastic comments.

“The geography of Vermont makes it unique and beautiful,” said Debruyn, who grew up in Plymouth.

“The lakes, the mountains, the fields — it’s all just a perfect backdrop for this,” he said.

“The hype is there for a great foliage season,” he added. “It always lives up to expectations.”

How to see it all?

Snyder says the timeline can dictate where in the state you head — and can also give you a few opportunities to see peak colors over the coming six weeks or so.

First up, he said, is the Northeast Kingdom, “where the show begins.”

The Northeast Kingdom is sparsely populated and dotted with quaint towns. Taking Route 2 can bring you to some great spots.

Pro tip? Head to Jay Peak (jaypeakresort.com) and take a tram ride — or hike — to the top of the mountain for foliage views of both the U.S. and Canada.

The foliage peak moves south bit by bit, into mid Vermont in early October and then spreading both west and south.

Vermont has ample spots for cycling, hiking, kayaking and canoeing as well.

“Seeing foliage from the water is a special experience,” Snyder said. “The combination of the water, forest and hillsides, well, you just cannot go wrong with it.”

Some less busy and totally worthy foliage spots include the Molly Stark State Park (vtstateparks.com/mollystark.html), a lovely park just past the Massachusetts border in Wilmington, where you can hike to a fire tower, have a picnic with a view and savor nature. That’s a great choice for later in the season, as the southern locale means later peak color.

Farther north, should you head out sooner, Elmore State Park (vtstateparks.com/elmore.html) offers fire towers along hikes, water views and more.

Those who like bikes should consider heading up to Burke Mountain, where mountain biking is king. Located far north, Burke is a great spot for any level cyclist, even a first timer, to get out and move among the color.

It also should be a law that every foliage peeper spends some time hanging out at a Vermont brewery. Yes, the beer is great (craft beer was pretty much born in Vermont) but so are the settings. You can find just the right brewery for you via the Vermont Brewer’s Association (vermontbrewers.com). And yes, most are family friendly.

Another favorite foliage visit many have may seem strange: Montpelier.

The state capitol is a city, but it’s quaint, comfortable, walkable and most of all, tucked up against nature. The view of the capitol building surrounded by autumn colors is totally worth a visit, and their downtown is perfect for shopping and dining among the beauty.

Foliage season is busy in Vermont, but with its wide open spaces, plentiful lakes, unique mountain towns and an endless supply of “oh my gosh” vistas, there’s room for all.

“You can’t go wrong, is my point,” said Snyder. “Vermont foliage is well known for a reason.”


You can learn more, including updated foliage maps, at vermontvacation.com.

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