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ST. LOUIS – The annual Walk to End Alzheimer’s is back this year. The goal is not just to raise awareness about the disease but to also to raise funds for research.
The walk is happening at the Enterprise Center beginning at 9:30 a.m. Saturday.
So far, the Alzheimer’s Association has raised more than $800,000, not too far away from reaching its goal of $1.3 million.
This progressive disease affects millions of Americans. In fact, the CDC says in 2020, as many as 5.8 million Americans were living with Alzheimer’s disease.
The number of people living with the disease doubles every 5 years beyond age 65. That number is projected to nearly triple to 14 million people by 2060.
During the walk you’ll see people carrying flowers of different colors, each color representing the person’s connection to the disease.
A purple flower is for those who have lost a someone to the disease. A yellow flower represents someone who is currently supporting or caring for a person living with Alzheimer’s.
Registration for the walk is at 7:30 a.m. There will be a ceremony at 9:15 and the walk begins at 9:30 a.m.
Here’s the latest installment of our Miami Dolphins Q&A, where South Florida Sun Sentinel writers David Furones and Omar Kelly answer questions from readers.
Q: How do #Dolphins fix kicking game in the off-season? I find it hard to believe that Sanders has lost his touch. Is Palardy the issue with the holds? Will Palardy get replaced? — Dixon Tam on Twitter
A: There’s something to it at this point. Jason Sanders has missed a kick in five of the past seven games.
The latest: Doinking an extra point off an upright in Sunday’s win over the Carolina Panthers at Hard Rock Stadium, just a week after a field goal attempt at MetLife Stadium banged off the goalpost.
Between the five missed field goals and the point-after attempt on Sunday, he has missed six kicks, doubling last year’s total of three when he was an All-Pro selection in 2020.
Sanders is in a little bit of a funk right now, but I wouldn’t give up on him and make a drastic change this offseason. We still know what he’s capable of when he’s on his game, and he hasn’t yet compounded multiple misses within a game to the point where you say he’s got the yips. Against the Panthers on Sunday, he did make two fourth-quarter field goal attempts — under no pressure in the blowout, granted — after his extra-point failed.
As far as punter Michael Palardy being his new holder this season, Dolphins special teams coordinator Danny Crossman denied that had anything to do with the misses last week.
“In this profession, and especially in that job, it’s a fine line between being successful and not being successful,” Crossman said. “We have complete confidence in [Sanders]. It’s small things. We’ll keep working, and Jason will be fine.”
Crossman also said there has been no change in Sanders’ mechanics.
“There’s nothing different,” he said. “He’s been the same for the three years that I’ve had him. We’ll just keep fine-tuning and keep working and keep grinding. One thing about Jason is he’s a worker. We’ll get that taken care of.”
As far as Palardy’s role in the punting game, he shanked a few early in the season and has one of the lowest yards-per-punt averages in the NFL (44.2), but he’s No. 3 in the league in punts inside the 20 (21). He has pinned opponents down deep plenty, and gunner Mack Hollins has great chemistry with him downing his kicks deep in opponents’ territory.
Sanders also just signed a five-year contract extension this past offseason. Palardy is on a one-year deal.
Have a question?
“Fire Nagy!” chants broke out yet again Monday night during the Bulls game at the United Center as Chicago sports fans continue to express their displeasure with Bears coach Matt Nagy at games — regardless of the sport and venue.
Bears fans unleashed the chant during the Week 11 loss to the Baltimore Ravens — the Bears’ fifth straight before a Thanksgiving win against the Detroit Lions. Over the last week, it has echoed at Bulls and Blackhawks games and on Monday night included a taunting variation of “Hire Nagy!” directed from Illinois basketball fans to Notre Dame fans after Irish football coach Brian Kelly was reported to be leaving for LSU.
It’s likely to continue Sunday at Soldier Field if the Bears can’t keep up with the 9-2 Arizona Cardinals. But at least one Bears player hopes it won’t.
“We hate it, honestly,” Bears safety Eddie Jackson said Monday after practice at Halas Hall. “The fans have got to understand that doesn’t help anything. Y’all want us to play better, do better, that’s not helping when you all are sitting up there and chanting that.
“But I get it. The frustration, longtime Bears fans have been going through this for a long, long time, so I understand it, but it’s not helping the situation. I feel like it’s just making it worse. We just continue to rally around each other and look upon ourselves to get this turned around and block out all the outside noise.”
Jackson made clear the Bears “owe it to Chicago to go out here and play our best ball.” He wasn’t complaining as much as noting that Nagy is “still human, we’re still human,” and not many people want to be booed at their jobs.
It’s just another thing the Bears have to tune out as they try to focus on their final six games — and the uncertainty of the organization’s leadership after that.
Last week, a report surfaced on Patch.com that Nagy would be fired after the Lions game. Nagy’s bosses left him to refute the report to the media before Bears Chairman George McCaskey met with players a day later to say it was not true.
It made for a strange week for players, coaches and Nagy, but they were ready to move past it Monday when they returned to practice from a long weekend. Jackson said he thought players reported back with high energy.
Nagy said he enjoyed the time away with family while sneaking in work early in the morning and at night, “when you can steal some time and not get yelled at for it.”
Jackson is in his fourth season playing under Nagy and said he thought the coach showed “resilience” last week in dealing with the ongoing job speculation.
“I feel like it’s got to be tough, but for him to come in and still lead us and not show any signs of weakness or letting that affect him, that says a lot about him and his character,” Jackson said. “And for us, for him to be our leader, (it’s) just to fall behind what he’s doing. I feel like it’s tough, but he’s handled this situation very well.”
By Ruth Graham, The New York Times Company
Russell Moore’s baptism in 1983 was a decorous occasion, or at least as decorous as possible when the main event consists of being plunged underwater in front of one’s entire church. The ceremony took place in a formal baptistery inside his family’s Mississippi church, with a painting of the Jordan River — where Jesus was baptized by John the Baptist — behind the tank. An organ played softly in the background. Moore wore a long white robe.
But a few weeks ago, when it came time to baptize Moore’s 14-year-old son, Jonah, the scene was very different. Jonah wore a T-shirt. Moore wore sneakers. A full rock band, including drums and an electric guitar, accompanied. And Moore, who is the public theologian at Christianity Today magazine, submerged his son in a galvanized steel livestock trough hauled onstage at the church just for the occasion.
Baptism is getting a little bit wild.
In South Florida, members of Family Church gather on the beach for afternoon baptisms in the ocean, bracing themselves against the waves and keeping an eye out for sharks. At Walk Church in Las Vegas, leaders set up a folding tub in the courtyard of the middle school that they use for Sunday services. In Mansfield, Texas, Creekwood Church rents out the Hawaiian Falls Waterpark, where twisting slides tower over the ceremony.
“I would have probably thought a decade ago that not having a traditional baptistery would feel disconnected from my tradition,” Moore reflected a few days after his son’s ceremony, which took place at Immanuel Nashville, where he serves as minister in residence. “But I’ve found it to be the opposite.”
Performing the age-old Christian ritual in a more informal style “conveys this isn’t your grandmother’s church,” said Drake Osborn, pastor of teaching and liturgy at Grace Church in Waco, Texas. His congregation moved into a former bowling alley in 2016 but never considered installing a built-in baptistery. Instead, Grace Church uses a foam model bought online for about $2,500.
The shift has taken place as many pre-21st-century symbols of church life have fallen out of fashion in evangelical culture, especially among churches that are expanding or building new facilities. Sanctuaries are now “worship centers,” and steeples and stained glass are out. Natural light is often eschewed in favor of a black-box theater aesthetic optimized for flashy audiovisual experiences and online streaming.
It’s not just the architecture that is changing. Contemporary evangelical baptisms are often raucous affairs. Instead of subdued hymns and murmurs, think roaring modern worship music, fist pumps, tears and boisterous cheering. There are photographers, selfie stations and hashtags for social media. One church in Texas calls its regular mass baptism event a “plunge party.”
Scarce, too, are the traditional white robes. Instead, many churches hand out custom T-shirts for the occasion, with slogans like “#washed,” “Best day ever,” “No turning back” and “Meet the new me.” The fabric is typically a dark color for the sake of modesty when wet.
“We live in an age where people like experiences,” said Mark Clifton, pastor of Linwood Baptist in Kansas, which closed up its built-in baptistery last year and now uses an inflatable hot tub. “It’s not that it looks better, but it feels better. It feels more authentic, it feels more real.”
The hot tub, Clifton said, is also easier to fill, requires almost no storage and lets people gather around to view baptisms up close. “It’s not the container that matters,” he added. “It’s what is going on in the person’s heart.”
Baptism is a core Christian tradition dating back to the earliest days of the church. Depending on one’s theology, the ritual is a component of salvation or a symbol of it.
Facilities tend to flow from theology. In traditions like Catholicism that baptize infants by sprinkling or pouring water on their heads, the equipment required is minimal, although it can be ornate: a bowl on a stand and perhaps a small pitcher. But many of those who practice “credo-baptism,” or the voluntary baptism of believers as an outward expression of faith, require the person — usually a teenager or an adult — to be fully immersed in the water. For the congregations in that category, including Baptists and charismatics, that means plumbing, heating equipment, maintenance costs and potentially hundreds of gallons of water for each event.
In the United States, indoor baptisteries — along with steeples and ornate architecture — were initially a mark of class. Baptisms in lakes and rivers were commonplace when those were the only practical options. But they were also messy, rustic and subject to the whims of weather. In the 19th century, some urban churches without running water painstakingly carried water into the church to set themselves apart from rural churches. The indoor facilities became prevalent in the early 20th century, when technology and the growing respectability of adult baptism made it feasible for more churches to install them.
The typical baptistery is behind and above the pulpit, with stairs on the side leading off to a hidden dressing room. Pastors often put on hip waders to enter the tub with the person to be baptized, who stands in the water until the moment in the ceremony in which that person is dipped briefly but dramatically backward into the pool.
As those 20th-century churches have aged, however, their once-modern baptisteries have come to look old-fashioned, too.
“It’s like eating organic food,” said Chad Seales, a professor of religious studies at the University of Texas at Austin who has written about the history of indoor baptisteries. The middle and upper classes now embrace the “primitive” as a mark of authenticity.
The change is not just a matter of style. Built-in baptisteries are bothersome. Mold and leaks are a constant problem, and because the tanks are larger than most portable options, they take longer to fill and heat. “Maintaining baptisteries is very expensive,” said Evan Welcher, until recently the pastor at Vine Street Bible Church, in Glenwood, Iowa, which operates two large 19th-century church buildings on the same block. (It’s a long story.)
These days, Welcher eyes newer, ostensibly hipper baptism facilities with something like envy.
“We have two baptisteries, and at different times they both leaked,” he said. “The cattle trough looks really easy; it looks so much better. People might say ‘Oh, the cool churches do it,’ but it actually looks like a better way.” Vine Street, which has baptized four people this year, spent around $3,000 to fix a broken heating pump in one of its facilities a few years ago.
Those “cooler churches” are often “church plants,” or new congregations established by an existing church or denomination with the goal of evangelizing in a new location. They typically begin by meeting in rented facilities like schools, movie theaters or storefronts, and they are attuned to events and aesthetics that will attract crowds.
Historically Black churches have generally maintained a more formal tradition, said David Latimore, director of the Betsey Stockton Center for Black Church Studies at Princeton Theological Seminary. The Black church “has always resisted the pull of informality for informality’s sake,” Latimore said. Since baptism is a ritual of belonging and “citizenship,” it had a kind of double meaning for much of American history. “There’s a great and heavy sense of the profound sacredness of this ritual,” he said.
No matter the level of spiritual solemnity, baptism offers a moment of spectacle, a perk especially for religious traditions like evangelicalism, whose architecture is often utilitarian, and which otherwise emphasize invisible shifts in personal belief as the site of greatest drama. Pop star Justin Bieber posted photos to Instagram last year of his baptism outdoors with his wife. It was “one of most special moments of my life,” he wrote. (He had previously been baptized in an NBA star’s oversize bathtub; repeat baptisms are controversial in some circles but not unheard of.) Other celebrities, including Demi Lovato, Mario Lopez and Christian hip-hop artist Lecrae, have been baptized in recent years in the Jordan River in the West Bank.
Adriana Robles, 21, was baptized a few weeks ago in a trough at Momentum Las Cruces, a nondenominational church in New Mexico. She had been baptized as a toddler in a Catholic church, she said, but it was important for her to participate as an adult as a demonstration of her commitment to her faith. She was nervous beforehand, she said, and the water was cold. But coming out of the water to the roars of music and cheers, “I felt like God was with me in that moment.”
But it doesn’t take a hip setting to make baptism a boisterous occasion. On a recent Tuesday night at First Denton, a large Baptist church north of Dallas, more than 200 college students and a few family members gathered for a Baptism Night held by the church’s college group, Overflow. Last fall, the event was postponed because of a leak in the baptistery — discovered when water began dripping down the walls in the hallway below — but on this night it was in shipshape condition.
“We see baptism as a celebration,” Jared Gregory, the college pastor, told the congregation. “Things are going to get a little rowdy.”
About a dozen students had signed up in advance for the ritual, and others felt moved to volunteer on the spot. The men changed clothes in a dressing room on one side of the baptistery; women on the other. One by one, they stepped down into the warm water, where Gregory was waiting for them. He plunged them backward, declaring them raised by Christ. One by one, they burst out beaming, sometimes with tears streaming down their faces. And each time, the crowd went wild.
This article originally appeared in The New York Times.
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