WELLINGTON, New Zealand (AP) — Perched on two fingers on the roof of an artwork gallery in Wellington, New Zealand, the enormous sculpture of a hand has loomed over the town for 5 years.

Named Quasi, the 16 ft — virtually 5 meters — creation of Australia-based sculptor Ronnie van Hout bears an unsmiling human face — as a result of why not?

Some discovered it disturbing, and now, after 5 years of scary controversy and myriad feelings — from horror and revulsion to thrill — amongst residents of New Zealand’s capital, Quasi will likely be faraway from the roof of Metropolis Gallery this week.

It will likely be taken to a brand new dwelling, the gallery mentioned Wednesday.

“That is both an ideal day for Wellington or a horrible day for Wellington and there’s not a lot view in between,” mentioned Ben McNulty, a Wellington metropolis council member.

Personally, McNulty informed The Related Press he felt “devastated” by the sculpture’s departure.

Quasi is manufactured from metal, polystyrene and resin, and was based mostly on scans of van Hout’s hand and face. It was named partially for Quasimodo, the bellringer in Victor Hugo’s 1831 novel “The Hunchback of Notre-Dame.”

Therefore the male gender some have attributed to Quasi.

Quasi first graced — or haunted — an artwork gallery in Christchurch, New Zealand, in 2016 however proved polarizing. It was the topic of an op ed within the native newspaper itemizing causes the sculpture “should go,” together with claims that one in all its outstretched fingers “seems to be inappropriately and belligerently pointing at pedestrians and workplace staff.”

“Maybe the monster simply desires to be liked?” van Hout responded on the time.

In 2019, Quasi was put in in Wellington, the place he grew over time on its residents.

“He arrived and I gained’t say the town unanimously hated him however I reckon 80% have been like, ‘What is that this monster? What have we accomplished?’” McNulty mentioned.

“However I feel that over time there’s been a little bit of a softening, there’s type of a pro-Quasi group, which I think about myself a part of,” he added.

On Wednesday, many at Wellington’s Civic Sq., the place the gallery with Quasi is situated, mentioned they’d warmed to him too.

“It’s actually disturbing but it surely’s a staple of Wellington now,” mentioned Anja Porthouse, who had introduced family and friends to see Quasi and was “gutted” it was leaving.

Quasi is to be lifted from the roof by helicopter on Saturday, when the enormous hand will journey to an undisclosed location in Australia, the gallery mentioned.

“All the pieces involves an finish ultimately,” van Hout informed the AP. “I’m certain it will likely be missed, however even Lovecraftian nightmares must return to the place they got here from, and now you solely have an absence to mirror on.”

Dozens responded to the information on social media with dismay, glee and jokes concerning the curse that native lore has attributed to Quasi being lifted.

The sculpture has adorned the Wellington skyline throughout “a few of its most troublesome occasions,” McNulty mentioned. The metropolis has struggled with earthquake-prone buildings, widespread plumbing issues and political division lately.

Different feedback took guesses about the place Quasi would possibly find yourself.

“He’s going to The Hague,” wrote one New Zealander on X.

“He will likely be missed,” mentioned Jane Black, who heads the Wellington Sculpture Belief.

“I’ll personally be happy to see it head elsewhere for a change,” the town’s mayor, Tory Whanau, informed the AP. “I feel there’s a powerful feeling of reduction.”