The Seventies singer-songwriter wrote classics for the Eagles, Linda Ronstadt, and his personal tasks through the years
J.D. Souther by no means noticed himself as simply one other L.A. country-rocker. Along with his background in jazz and the Nice American Songbook, Souther — who has died at age 78 — considered his work as being according to one other custom, the traditional songwriter. And he was proper in a minimum of one regard. As a lot as any of his contemporaries, Souther’s songs have been common, coated by a variety of artists, female and male, who every introduced one thing to them. Listed below are a few of the finest, in variations he sang himself and ones that took his songwriting to a different degree, from rockers to mulled-over ballads.
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J.D. Souther, ‘Run Like a Thief’ (1972)
Souther’s self-titled debut gave us “How Lengthy,” later coated by the Eagles, but it surely additionally was the house for this pained, downcast ballad about infidelity and the guilt that follows an affair: “Properly we cheated on a pal, and cheaters by no means win,” he sings, capturing the brand new Seventies way of life in a method he in all probability didn’t even intend. The definitive model of the music, although, got here from Bonnie Raitt on 1975’s Residence Plate, a rendition that ramped up the ache and remorse whereas staying true to the chastened spirit of the music. —D.B.
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Eagles, ‘Better of My Love’ (1974)
In response to Eagles lore, “Better of My Love” was born in a sales space on the West Hollywood hang-out Dan Tana’s, the place Don Henley, Glen Frey, and Souther have been ingesting whereas watching romances each spark and burn out. Recorded for On the Border, it’s one of many band’s most country-sounding songs, due to the pedal metal of Bernie Leadon and the manufacturing of Glyn Johns. The model that Souther recorded for his 2011 compilation Pure Historical past, nonetheless, was constructed round piano and elevated by his elegant but pained falsetto. The Eagles’ model grew to become a marriage music; Souther’s was a breakup ballad of the best order. —J.H.
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Linda Ronstadt, ‘Faithless Love’ (1974)
Souther has credited Linda Ronstadt with serving to him uncover nation music early his profession. They dated for some time and went on to have a fruitful artistic partnership for years. Souther produced the singer’s 1973 album Don’t Cry Now, and a yr later he contributed this gorgeous ballad to her traditional LP Coronary heart Like a Wheel, among the best and most profitable soft-rock information of the Seventies. It’s a gradual, stately heartbreaker, stuffed with beautiful regretful imagery and deep longing, with the attribute mixture of easy intimacy and rustic magnificence that was such a key ingredient of Souther’s work. His writing offers her voice acres of room to stretch out, highlighting the scope of Ronstadt’s vocal genius with the empathy of a real pal. —J.D.
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The Souther-Hillman-Furay Band, ‘Bother in Paradise’ (1975)
Souther lower this music twice, first with the short-lived SHF Band — his challenge with Chris Hillman of the Byrds and Richie Furay of Buffalo Springfield — after which, apparently sad with that one, on his 1979 solo LP You’re Solely Lonely. The unique model is notable for the best way it offered a window into one other facet of his musical character. With Souther himself taking a uncommon seat on the drumkit, “Bother in Paradise” has the free, limber really feel of a jazz jam session, from its sway to its flute solo. The music would function a template for his later forays into jazz singing and preparations on his later solo work. —D.B.
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The Souther–Hillman–Furay Band, ‘Prisoner in Disguise’ (1975)
As a lot as a few of his SoCal friends, Souther excelled at conjuring these stressed nights of the soul —these moments once you get up the midnight and haven’t any alternative however to ponder your personal life selections, set to melodies that additionally felt like one large sigh. This ode to isolation, additionally rendered by Linda Ronstadt the identical yr, nails that facet of him, foreseeing a future through which Souther could be higher recognized for covers of his songs than his personal recordings. —D.B.
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J.D. Souther, ‘Your Flip Now’ (1976)
A deep lower from Souther’s Black Rose album, “Your Flip Now” has the texture of successful that by no means was; with its easy sway and ingratiating refrain, it’s baffling that it didn’t obtain any radio play on the time. Possibly you would blame the lyric, a warning to anybody who needed to become involved with somebody like him: “I by no means mentioned it was simple/That was your concept,” he sings, in what was hardly a typical love-song lyric of that period. The music itself, although, is fairly seductive. —D.B.
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Eagles, ‘New Child in City’ (1976)
As achieved as Souther was, he remained remarkably modest about his expertise. When the Eagles have been engaged on Lodge California, he casually introduced them a music that left the band shocked. “Everybody checked out me: ‘Man, that’s a single, that’s successful. The place’s that been?’” he recalled. “I didn’t know what else to do with it.” The tender observe contemplates fleeting love and fame, and the way the period of Seventies singer-songwriters was slowly coming to an finish as new appears like punk rose. “We have been approaching 30 and will see that the rearview mirror was stuffed with newcomers as hungry as we had been,” Souther mentioned. The music additionally showcases the Eagles’ stunning harmonizing, which received them a Grammy for Finest Vocal Association. —A.M.
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J.D. Souther, ‘You’re Solely Lonely’ (1979)
Souther’s third solo album kicks off with its title observe, a tenderly forlorn Roy Orbison-style tune that grew to become a business peak for Souther. “It doesn’t have a bridge,” he noticed years later. “It doesn’t actually have a refrain, and it doesn’t have a 3rd verse even. All I can say is I assumed it was a catchy little tune.” One factor the music did have was the A-list backing vocal crew of Phil Everly of the Everly Brothers, Jackson Browne, Glenn Frey, Don Felder, and Don Henley, who helped make the music Souther’s largest hit, reaching Quantity Seven on the Billboard Sizzling 100. —J.D.
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Eagles, ‘Heartache Tonight’ (1979)
“Heartache Tonight” is proof that having too many cooks within the kitchen is usually a very good factor. The 1979 observe is a collaboration between Souther, Henley, Frey, and the latter’s Detroit buddy Bob Seger — and it’s all impressed by soul legend Sam Cooke. The result’s a euphoric country-rock stomper that’s inconceivable to not sing alongside to, proper from the opening traces: “Any person’s gonna damage somebody/Earlier than the evening is thru.” In response to Souther, the songwriting course of was methodical. “Glenn began clapping his arms and singing and I joined in,” he mentioned, “till the primary verse felt proper.” —A.M.
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James Taylor, ‘Her City Too’ (1981)
“She will get the home and the backyard/He will get the boys within the band.” That’s one strategy to deal with a divorce! Souther co-wrote “Her City Too” with James Taylor and Waddy Wachtel, and it was launched as a duet between him and Taylor on the star’s 1981 album Dad Loves His Work. It’s usually considered about Taylor’s messy cut up with Carly Simon — or maybe supervisor Peter Asher’s personal life — but it surely’s not vital to invest. As an alternative, concentrate on Souther’s gorgeous harmonies, and the way he expertly blends his voice with Taylor’s. You may witness that magic within the video, the place a bearded Souther sits in a director’s chair, delivering these underrated backing vocals. —A.M.
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Don Henley, ‘The Coronary heart of the Matter’ (1989)
Don Henley stopped working along with his Eagles bandmates when he went solo in 1980, however his artistic relationship with J.D. Souther stored going. They collaborated on “Taking to the Moon” and “No one’s Enterprise” on 1982’s I Can’t Stand Nonetheless, and “Man on a Mission” from 1984’s Constructing the Excellent Beast, however they didn’t craft successful till the periods for 1989’s The Finish of the Innocence, after they took a demo by the Heartbreakers’ Mike Campbell and crafted lyrics about bitter separation and the lengthy street to forgiveness. “We had each, inside the final yr or so, damaged up with our fiancées,” Souther instructed Songfacts. “And it’s just about what the music says, that they had each taken up with any person else.” Followers of Souther and Henley’s lyrics have included Lorde, who raved about this music in her 2017 Rolling Stone cowl story: “‘What are these voices outdoors love’s open door that make us throw off our contentment and beg for one thing extra?’ It’s probably the most unimaginable fucking query of the universe.” —A.G.
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Eagles, ‘How Lengthy’ (2007)
Within the early days of the Eagles, Souther’s 1972 solo lower “How Lengthy” was an everyday a part of the band’s dwell set. It offered a uncommon likelihood for Glenn Frey and Don Henley to share lead vocals on a music, and it was an ideal showcase for the group’s trademark harmonies. Their minds went again to it greater than three many years later, after they have been looking out round for songs to incorporate on their 2007 LP Lengthy Street Out of Eden. They lower a brand new model, launched it as a single, and scooped up their first Grammy since 1979 for the trouble. Souther helped the Eagles write their very first hits, and he’s the only real creator of their last one. —A.G.