Martin Mull, the droll comic, actor, singer-songwriter and painter who discovered fame on the cleaning soap opera satire Mary Hartman, Mary Hartman and its spinoff Fernwood 2 Night time, has died. He was 80. 

Mull died Thursday at residence after a “valiant struggle in opposition to a protracted sickness,” his daughter, Maggie Mull, shared on her Instagram.  

“He was recognized for excelling at each inventive self-discipline possible and likewise for doing Pink Roof Inn commercials,” she wrote. “He would discover that joke humorous. He was by no means not humorous. My dad might be deeply missed by his spouse and daughter, by his pals and coworkers, by fellow artists and comedians and musicians, and — the signal of a very distinctive individual — by many, many canines. I cherished him tremendously.”

Mull additionally loved prolonged stints within the Nineties because the befuddled principal Willard Kraft on Sabrina, the Teenage Witch and as Leon Carp, the homosexual boss and pal of Roseanne Connor (Roseanne Barr), on Roseanne.

He performed personal detective (and grasp of disguise!) Gene Parmesan on Arrested Improvement and a pharmacist who wasn’t above sampling his product on Two and a Half Males. He earned his solely Emmy nomination in 2016 for his efficiency as political operative Bob Bradley on Veep.

The intelligent Mull starred with frequent collaborator Fred Willard and co-wrote the 1985 Cinemax mockumentary The Historical past of White Individuals in America and its 1986 sequel. He additionally portrayed Colonel Mustard on the large display in Clue (1985). Extra not too long ago, he was one of many outdated guys on the Fox sitcom The Cool Youngsters and an acid-tripping legal professional on Netflix’s The Ranch and recurred on ABC’s Not Lifeless But.

Combining his knack for music and comedy, Mull discovered early success in 1970 when nation music star Jane Morgan recorded his parody “A Woman Named Johnny Money,” a riff on Money’s “A Boy Named Sue.” It caught round on Billboard’s Sizzling Nation Songs chart for 5 weeks.

Mull went on to play the guitar in nightclubs and sing parodies he wrote, pop tunes like “Santa Doesn’t Cop Out on Dope,” “Loser’s Samba” and “Jesus Christ Soccer Star.” He opened for the likes of Frank Zappa, Randy Newman, Bruce Springsteen and Billy Joel, and his eponymous first album, launched in 1972 on Capricorn Information, featured drummer Levon Helm of The Band.

“Whereas his peculiar humorousness is clear on all of his albums, Mull is not any Bizarre Al-style parodist,” Stewart Mason wrote concerning the offbeat performer on the AllMusic.com web site. “His albums are skewed singer/songwriter, pop/rock with a powerful jazz affect, which simply occur to have humorous lyrics.”

Nonetheless, it was as Garth and Barth Gimble, the very completely different an identical twins from Fernwood, Ohio — the legendary setting for the Norman Lear-produced Mary Hartman, Mary Hartman — that positioned Mull within the nationwide highlight.

Designed to poke enjoyable at America’s obsession with consumerism and popular culture, Mary Hartman starred Louise Lasser as an unassuming housewife making an attempt to not lose her thoughts within the banal hell often called suburbia. Mull joined the syndicated sequence in 1976 for its second season and rapidly turned certainly one of its most despised characters — the wife-abusing Garth.

“I assumed they employed me as a result of I used to be a comic,” Mull stated in a 2014 interview. “I used to be type of stunned when abruptly we obtained all this Virginia Woolf-ish excessive drama. I didn’t just like the character in any respect. I don’t look after violence, and wife-beating is especially repugnant to me, so it was fairly arduous.”

Regardless of Mull’s reservations, his razor-sharp comedian timing and sly, off-center method made Garth work. Audiences cringed however laughed when Gimble locked his spouse within the closet after which kissed the closet door as he left for work.

Al Burton, the sequence’ inventive supervisor who employed Mull, figured he can be excellent for the controversial character. “Martin is certainly one of a sort,” he stated. “He has this distinctive hateful high quality whereas nonetheless being an interesting performer.”

Although Garth appeared in solely a handful of the present’s 325 episodes, he went out with a bang. In one of the crucial macabre plot twists in TV historical past, he met his finish by being impaled on the star atop an aluminum Christmas tree in his closet.

However Mull’s keep in Fernwood was simply getting began. Within the final month of the sequence’ run, he reappeared as Barth Gimble, a smarmy kind who had bother adjusting to small-time life. For causes by no means fairly revealed (it was hinted his state of affairs concerned an underage woman in Miami), Barth determined it greatest to put low in Fernwood. 

When Mary Hartman led to 1977, Lear created the spinoff Fernwood 2 Night time. Produced by Alan Thicke, it featured Barth as a leisure suit-wearing speak present host whose unbearable ego had him believing he was the Tri-County’s reply to Johnny Carson.

Becoming a member of the present was Gimble’s sidekick, Jerry Hubbard (Willard). A lot to Gimble’s fixed annoyance, Hubbard was the epitome of cluelessness. When a feminine visitor introduced the dialogue round to gynecology, Hubbard innocently requested if a treatment had been discovered for that.

“Barth would host the city’s premiere speak present, bringing on visitors to recall their UFO sightings and anchoring segments comparable to ‘Discuss to a Jew,’” Rolling Stone wrote in 2015. “Martin Mull and Fred Willard don’t get practically sufficient credit score as a crack comedian duo, and the present’s skewering of the format’s cliches — made to appear even cheesier by the public-access manufacturing values — set the tempo for the faux-sincere showbiz parodies and pretend late-night programming (see Larry Sanders) that might change into a comedy staple within the years to come back.” 

Fernwood 2 Night time turned a cult hit, and plenty of of Lear’s pals requested to be on it. The producers couldn’t work out a technique to make sense of all these well-known of us displaying up in a small Ohio city, so that they moved the present to the fictional Alta Coma, California, the “unfinished furnishings capital of the world.” Renamed America 2-Night time, the present now had Gimble and Hubbard interviewing Burt Lancaster, Carol Burnett, Charlton Heston and Jim Nabors. 

Martin Eugene Mull was born in Chicago on Aug. 18, 1943. His father, Harold, was a carpenter, and his mom, Betty, an actress and director. He was raised in North Ridgeville, Ohio, and New Canaan, Connecticut.

His authentic plan was to change into a painter, and he studied on the Rhode Island College of Design, receiving a bachelor’s diploma in tremendous arts and a grasp’s in portray. To earn cash for tuition, Mull organized bands, and the expertise opened his eyes to the world of leisure. 

His first album included the songs “Ventriloquist Love” (pattern lyric: “At any time when I kiss you / your lips by no means transfer”) and “I Made Like to You in a Former Life.” He adopted that with a 1973 stay LP, Martin Mull and His Fabulous Furnishings in Your Residing Room!! — which additionally featured Mull doing stand-up bits — and 1974’s Days of Wine and Neurosis.

Mull was beneficial to Lear after somebody noticed him at a nightclub efficiency.

After his preliminary TV success, Mull was signed by ABC Information, which launched his albums I’m Everybody I Ever Beloved and Intercourse and Violins, which earned a Grammy nomination in the most effective comedy recording class and was produced by Frank DeVol, who performed bandleader Comfortable Kyne on Fernwood 2 Night time.

He created (with Steve Martin and Craig Kellem) and starred as a Seattle tv commentator on the CBS sitcom Home Life, however it lasted simply 10 episodes in 1984. He lasted longer on Roseanne, on which Leon in 1995 married a personality performed by Willard in certainly one of TV’s first homosexual weddings.

Mull additionally had recurring roles on The Jackie Thomas Present, The Ellen Present, Dads, Life in Items and American Dad!, amongst different exhibits.

He starred alongside Tuesday Weld in Serial (1980), directed by Invoice Persky, appeared as himself in Robert Altman’s The Participant (1992) and confirmed up in such different movies as FM (1978), Mr. Mother (1983), O.C. and Stiggs (1985), Far Out Man (1990), Mrs. Doubtfire (1993), Jingle All of the Manner (1996) and Killers (2010).

Survivors embody his third spouse, Wendy Haas, whom he married in 1982, and Maggie, a TV writer-producer (Life in Items).