[This story contains spoilers from season two, episode two of Pachinko, “Chapter Ten.”]

Pachinko, Apple TV+’s bold collection adaptation of Min Jin Lee’s novel a few Korean household’s struggle for survival throughout and after the Japanese occupation of Korea, has by no means used episode titles. But when creator and showrunner Soo Hugh needed to assign a title to the newest chapter of her breathtaking multigenerational saga, she would name it “The Boogeyman.”

Written by Hugh, Christina Yoon and Melissa Park, the second hour of Pachinko’s sophomore season reintroduces Isak (Steve Sanghyun Noh), the pastor husband of protagonist Sunja (Minha Kim), who, within the season one finale, was arrested in 1938 for attempting to struggle for labor unions — an effort seen as an affront towards the Japanese emperor. Seven years later, Hansu (Lee Minho), Sunja’s rich past love who deserted her whereas she was pregnant with their baby, is ready to negotiate the protected passage of a Japanese official’s household out of Osaka in trade for Isak’s launch.

A badly battered Isak — whom Hugh considers “The Boogeyman” on this episode — returns dwelling and collapses within the arms of his sister-in-law, Kyunghee (Jung Eunchae). Sunja, who grew to become the breadwinner of the household in Isak’s absence however at all times prayed for his return, rushes to her husband’s assist, even enlisting Hansu’s assist to trace down the very best remaining physician within the metropolis. However a lot to her dismay, Sunja comes to understand that Isak’s accidents are deadly.

In his last hours, Isak forgives the present pastor who expresses his regret for turning him in years in the past. He tells his sons, Noa (Kang Hoon Kim) and Mozasu (Eunseong Kwon), that he’ll at all times be their father (the scene that Hugh tells The Hollywood Reporter at all times makes her cry probably the most). And he says goodbye to Sunja, whom he agreed to marry even after studying that she was carrying one other man’s baby.

Isak Says Goodbye

When she first learn Pachinko years in the past, Hugh remembers feeling “actually offended” about Isak’s demise. “It feels so unfair — this can be a man who did every thing proper. He tried to stay with a lot empathy and kindness, and he acquired fully crushed down by the system,” she tells THR. “The injustice of Isak’s demise at all times felt actually uncooked to me, and I actually needed to seize that right here in episode two.”

For Hugh, one of many largest challenges of designing the episode was determining when to dial up the extent of emotion in order to not uninteresting the impression of the ending. She determined to construction it as a John Carpenter-esque horror movie — utilizing an unsettling sound design, in addition to digital camera angles, to provide the impression that somebody is watching the characters from afar. However the emotional climax of the episode is fittingly quiet and intimate.

“It was actually essential that [Sunja and Isak’s goodbye] mirror the scene in episode 5 from season one, once they first make love. “The digital camera angles are precisely the identical,” Hugh explains. “I actually needed that to indicate simply how far these two folks have come. These two folks had been strangers [when they got married].”

Minha Kim, who had a equally visceral response upon studying the script, reveals she couldn’t cease crying whereas capturing the scenes after Isak’s return — to the purpose that she couldn’t even say her strains. So as to curb the difficulty, director Leanne Welham inspired Kim to “diversify” her feelings in every scene. As an example, Sunja is extra tender and comforting when she tells Isak to chill out, however extra offended and steely when strolling away from him to ask for assist.

Talking about Sunja’s headspace throughout that pivotal scene, Kim explains to THR, “Within the scene when Sunja and Isak lie down … and ultimately she loses Isak, I simply needed to the touch him. I simply needed to share my heat and my temperature to maintain him alive.

“I [as Sunja] was very offended concerning the scenario that he had confronted for lots of years, and I felt so sorry for him,” she continues. “Ultimately, after I realized that I can’t do something for him to make him [stay] alive, that’s why I simply needed to the touch him and share my heat. I simply needed to make the promise: ‘Don’t fear about our household and our children.’ Even now, after I’m serious about it, it’s very emotional.”

Sunja’s response to Isak’s passing will ring true to plenty of youngsters from Asian households, whose dad and mom are identified for his or her quiet stoicism, even within the face of tragedy. “Sunja doesn’t break down, and it isn’t till after his demise and he or she walks out by herself and he or she sits that that’s when the discharge comes,” Hugh says. “It simply felt that strategy was so extra sincere.”

“She is aware of that there’s no time to interrupt down, sadly, in order that’s why she hides her tears and he or she simply [stays] silent,” Kim provides. “I don’t understand how she does it, however after I’m my mother and my grandmother, they do it. However they don’t intend to do it; it simply occurs.”

14 Years Later, Hansu and Sunja Reunite in Osaka

It stays to be seen how Isak’s demise will impression Sunja’s relationship with Hansu going ahead. However Sunja and Hansu, because the actors who play them insisted, aren’t the identical folks they as soon as had been.

“The ingredient that I really like concerning the relationship between Hansu and Sunja 1725384190 is that they’re the dad and mom, so many of the conversations they’re having [this season] are concerning the children and about Noa,” Kim says. “Within the first season, we had been so busy hating one another and attempting to have one another. However now, they type of wrangled [their feelings] slightly bit due to their children.”

Within the season premiere, Sunja runs out of kimchi to promote on the road and begins peddling rice wine to assist her household, however she shortly will get arrested. Nevertheless, as an alternative of dealing with any type of trial or punishment, Sunja is ready free as quickly because the processing officer hears her (Japanese) identify, and he or she is ushered right into a ready automobile by a mysterious man named Mr. Kim, who has been employed by Hansu to regulate Sunja and her household.

As Hansu confesses to Sunja, he by no means really misplaced her — or their son, Noa, who continues to be unaware of his true paternity in 1945. “[Hansu’s] most likely been dreaming of at some point that he’ll have the ability to embrace Noa and Sunja fully as his personal. I believe that might be his life’s purpose,” Lee says by a Korean interpreter. “For season two, Hansu’s emotion in the direction of Sunja is extra than simply love [for her]. I believe it has advanced into some kind of love for household, love for his bloodline and his son.”

When she got down to create her personal backstory for what occurred to Sunja between seasons one and two, Kim imagined that Sunja continued to consider Hansu “virtually every single day.” Certain, Sunja might have been “fairly offended” that Hansu has been spying on her household for over a decade. However Kim causes that a part of her should have mulled over this reunion for years, so she couldn’t be too shocked.

“I believe she might need dreamed about him, or perhaps she made up her personal image in her creativeness [about their reunion],” Kim says. “She desires to eliminate [him], however she will be able to’t, which is so annoying, so miserable. However proper for the time being that she realized that she can’t get Hansu out of her life, she simply accepted that she can’t stay with out him.”

Whereas the primary season discovered Hansu having and asserting his energy over Sunja, the second finds them on extra degree phrases — and eventually starting the uncomfortable technique of attending to know each other.

“There’s even moments in season two the place you really surprise: Can these two folks be associates? There’s this one dialog they’ve afterward that I discover actually touching,” previews Hugh. “However the factor that’s at all times going to face between them is Noa, they usually each have such completely different worldviews on what sort of world Noa ought to go into, and that basically supplies plenty of battle for the 2 of them.”

The Subsequent Generations

As Pachinko marks the passage of time, the second and third generations of the story will come additional into focus later this season. The twin timelines of the present will stay in fixed dialog with one another, exhibiting that historical past tends to repeat itself throughout a number of generations of the identical household.

“You see the identical hopes and burdens that at the moment are loaded on these children,” Hugh says of the next generations. “Sunja [played by Yuh-Jung Youn in the ’80s timeline] thinks that she’s not going to make the identical errors she made with Noa. She mentioned that in season one, and but she’s nonetheless inserting this great burden on Solomon [played by Jin Ha]; she is making the identical errors. Noa needed to carry all of that household’s hopes and desires, and he or she’s doing the identical factor with Solomon. She simply doesn’t notice it but.

“However what’s attention-grabbing about Noa and Mozasu, who’re performed by 4 very precocious actors, is you’ve gotten Mozasu who says, ‘Yeah, I really feel your hopes and desires, and I say, “Screw you.”’ However then you’ve gotten Noa who’s the other,” provides the creator. “Isak’s demise is such a turning level for [Noa]. Earlier than Isak’s demise, he says, ‘I’m going to be a pastor. I’m going to be like my father.’ Then, after Isak’s demise, one thing clicks in him and he says, ‘I don’t wish to find yourself like my father.’”

Nonetheless, provided that Noa was raised by Isak up till the age of 6, Noa nonetheless feels his late father’s affect. “There’s a lot of Isak’s goodness nonetheless in Noa. In a while, when Noa witnesses Hansu beating a person ruthlessly, he’s actually shaken by that and he actually desires to disavow Hansu. I believe that’s Isak’s affect,” Hugh says. “Noa’s continuously put on this vice between Hansu and Isak, and that’s why it’s so devastating afterward when he learns who his actual father is.”

Lee Minho: Hansu Needs Extra

Lee beforehand described Hansu, in a previous THR interview, as “a villain generated by tragedy.” The second season makes an attempt to peel again the layers on that character by exploring “the seams” of his household and enterprise life, Hugh says. “Even in his personal home the place he’s his father’s favourite son — though he’s not a organic son — he’s nonetheless referred to as out for being Korean. He’s nonetheless denigrated for being an outsider, and but Hansu could be very, superb at holding it in till it erupts in probably the most harmful methods.

“The massive arc for Hansu within the second half of the season is, he has to finish up betraying that beloved father determine, and that’s additionally one thing Noa does as effectively,” the showrunner teases. “There’s so many [similarities] between Noa and Hansu about who your father determine is. In season one, we met Hansu’s actual father. We positioned [him] with this Yakuza chief, so Noa and Hansu even have very comparable arcs in that manner.”

Hansu has a one-track thoughts on accruing energy — not solely in enterprise, however in politics — this season. “He’s much more unstoppable, and I believe he simply crossed the river that he can’t come again,” Lee says. “I consider Hansu wishes extra, desires extra. So even when he reaches the top of his wishes, he ultimately finally ends up not getting what he actually desires. I believe that’s the principle story arc for Hansu: He’ll simply lose extra, after which he’ll want extra, and he’ll get obsessed extra with Sunja and his son, Noa.”

As one of the vital outstanding South Korean actors working right this moment in Asia, Lee has performed his fair proportion of flawed main males. However the second season of Pachinko represented a brand new type of appearing problem for the 37-year-old celebrity, who initially needed to audition for the position.

“I haven’t lived that age but myself, so I felt, every so often, very unusual feelings after I’m portraying Hansu as a personality,” Lee explains. (Hansu is now in his mid-to-late 40s.) “I don’t have that very deep expertise [where] I met somebody after which we simply parted methods after which met once more afterward after a while interval. I don’t personally have that emotion, so feeling that emotion by this position and character was particular.”

When he started to really feel these new feelings stirring within him, Lee says he would usually flip to Kim and ask: “I’m feeling this sure manner about attempting to movie the scene. How do you are feeling about this?”

Lee provides, “We had been attempting to speak loads on the emotional [parts of our characters]. I believe I used to be attempting to deal with these tensions and the sentiments and feelings that can’t be simply described in phrases after I was attempting to painting Hansu throughout season two.”

The Rice Fields

The second episode is bookended by tragic irony. After witnessing a neighboring household obtain the dreaded information that their patriarch was killed in motion, Mozasu asks Noa if that household will ever get again his stays from the warzone. Within the last scene, Sunja and her household are compelled to go away Isak’s stays behind to flee an imminent bombing in Osaka — however Hugh factors out that they had been extraordinarily privileged to flee in any respect.

Below Hansu’s care, Sunja’s household will probably be taken to hunt refuge within the countryside, the place the ladies are anticipated to work within the rice fields.

“After we consider World Battle II, you at all times consider the battlefields; you at all times consider the lads who decide up the weapons and fireplace. Now, we’re exhibiting what it was like from the attitude of these left behind,” Hugh explains. “That is loopy, however in some methods, within the rice fields, there are moments of happiness for them. Even with all of the issues that they’re going by and all their fears, there’s a second of freedom that they’ve.

“I actually love that juxtaposition — that you would be able to have these enormous world stakes of a rustic being bombed, and that’s rhymed with a toddler’s laughter as he flies a kite for the primary time. That feels just like the language of Pachinko — that large and small in the identical body.”

New episodes of Pachinko launch each Friday on Apple TV+.