When the Syrian Conflict broke out in 2011, triggering a wave of refugees to Europe, Thomas Vinterberg felt a surge of empathy in direction of the hundreds of thousands of households pressured to flee their properties and search shelter in overseas lands. However when the Oscar-winning director of One other Spherical, The Hunt, and The Celebration noticed the response of many Europeans — typically hostile, generally violent — he started pondering: What would occur if a catastrophe hit nearer to house and “we had been the refugees”?

Greater than a decade later, that “thought experiment” led to Households Like Ours. The miniseries, which premieres on the Venice Movie Competition earlier than heading to TIFF, imagines a close to future the place rising sea ranges pressure the federal government of Denmark to evacuate. Your entire nation. Turning its six million inhabitants into refugees, pressured to hunt shelter in whichever nations may have them.

The sequence includes a who’s who of Danish expertise in its ensemble forged, together with Nikolaj Lie Kaas, Thomas Bo Larsen, David Dencik, Paprika Steen and Magnus Millang. StudioCanal and Zentropa produced the six-part sequence, which is able to exit on Denmark’s TV2 in October. StudioCanal is promoting worldwide.

Talking to The Hollywood Reporter, Vinterberg defined why he prevented “catastrophe movie cliches” to concentrate on the human drama of local weather change and mass migration, creating “a dystopia in sluggish movement” and the way a impolite French waiter impressed the present.

This can be a dystopian story, a bit science fiction even, but it surely appears to be a really private one as nicely. The place did the preliminary thought for Households Like Ours come from?

This concept got here up at the very least six years again, which was pre-covid and pre-Ukraine battle. It got here from seeing how we handled folks from Syria coming to Copenhagen. And I needed to make a thought experiment testing human beings from Western society, pondering what would occur if we had been the refugees, if we must say goodbye to the whole lot we love? How a lot resilience may we muster? What number of coping methods can we provide you with? It’s like: Who do you set in your lifeboat should you solely have 4 seats? It’s the psychological questions that trouble me most, these are the backbone of this sequence, which is why I didn’t wish to present any flooding and pure disaster scenes.

However the true spark to put in writing this present got here after I was in Paris for work. I’d been residing there for a 12 months, a 12 months and a half, and I felt tremendous unwelcome. I’d go to the identical cafe daily they usually nonetheless handled me extremely impolite, like a vacationer. One Sunday, I simply needed to go house to my household, I used to be lacking my daughters, and I grew to become occupied with what it will be like if we had been pressured to be separated, like within the movie Brooklyn, in regards to the large immigration from Europe to america [in the 1950s]. And fascinated with my daughters, I used to be impressed by their concern for the state of the planet and local weather change.

As you say, there aren’t any scenes of pure disaster right here. There’s no catastrophe porn. However did you do any analysis into the science of local weather change or into the opposite parts of the story?

We did a variety of analysis, not into local weather change however analysis of a special variety. We did analysis into the state of Denmark. If this form of catastrophe occurred right here, what would our Overseas Ministry do? After all, you may’t do analysis in regards to the future as a result of it hasn’t occurred, however we spoke to lots of people, to attempt to think about, how would this nation, this little Shire that I come from, react? And we determined we might react early, forward of the water flooding the nation. We might attempt to look after all our residents as an alternative of spending some huge cash making an attempt to avoid wasting components of the nation, we might attempt to rescue as many as potential in the absolute best manner. I additionally talked to individuals who learn about local weather change and we talked about dams and drainage programs, the place the water would come from and the way the state would do away with it. Nevertheless it’s nonetheless all guessing, even when its specialists guessing. They know one thing goes to occur, however precisely what, precisely what type it can take, even the specialists are nonetheless guessing.

This can be a story about households, which supplies it a universality. However it’s also particularly Danish and I’m wondering if, politically, Denmark is an attention-grabbing nation to take a look at with this story of mass migration. As a result of Denmark was one of many first nations in Europe to actually start to crack down on migration and immigration, nearly setting the sample for the remainder of Europe.

First, I wish to say my sequence right here is primarily about human beings, with these singular individuals, who all react in another way. Like Rilke says: “there’s no unanimous manner of reacting as a human being.” There are hundreds of thousands of the way of reacting. I’m involved with the bravery of refugees and issues like that. However your query is especially painful to me, it actually places a finger in a wound. As a result of after I grew up in Denmark, we had a really completely different fame. Once I acquired my first awards again with The Celebration, one was in Los Angeles to obtain a Jewish award for the assistance Denmark gave to Jewish refugees [in World War II]. Denmark sneaked folks out [of the German-occupied country] to security in Sweden. That was our society. After which, in 2016, our authorities destroyed that story and have become a rustic that I wasn’t pleased with anymore. We created a legislation the place we may confiscate refugees’ jewellery on the border. I believed that was so removed from humane, I couldn’t imagine it. I stated publicly I used to be embarrassed by my nation, I acquired right into a public struggle with a Danish journalist due to this. It was a really painful time. There’s an echo of this in Households Like Ours. I believe our nation has moved on from that darkish interval and hopefully, our identification will get well sooner or later. However there’s positively an echo of that in my story, in making an attempt to reverse this case and say: “Okay, what if we are the refugees?” There’s a component of satisfaction to that as nicely.

Throughout Europe, there’s this concept of a fortress of Europe. The political forces in nearly each nation appear to wish to construct partitions to maintain folks out. This concept of a unified, borderless Europe, which nonetheless in some methods exists, is now being very strictly outlined in keeping with who you might be and the place you come from.

But when we speak about fortresses, that is greater than only a native, a European or a Danish phenomenon. It’s extra common than that. Have a look at the fortress of America, the place they’re constructing a wall, not tearing any down. It’s the agenda all over the world. That’s why I discover it attention-grabbing to reverse issues and put the Westerners within the refugee place.

As you stated, you prevented cliched catastrophe photos. What then was essentially the most difficult factor for you in taking pictures this?

Properly, it’s a problem now to place this sequence in a manner that folks perceive that it’s a human drama. It could be a catastrophe sequence, but it surely’s a catastrophe in sluggish movement. And the present takes place in seven completely different nations that had been unknown to me. So we did a variety of analysis to make the whole lot believable. That was an enormous problem. We did a variety of check screenings with audiences, they usually stored asking questions like: “Why are they transferring in another country when there’s no water within the streets?” that form of factor. So we needed to discover methods to tell the viewers that that is how it will be in a well-functioning, Western nation like Denmark. We might know forward of time that the water is coming and we wouldn’t look forward to the flooding to maneuver out. We don’t imagine that’s how it will work. We discovered that unrealistic. However having this settlement with the viewers by way of months and months of analysis to learn how to elucidate this was very troublesome.

Did the analysis prolong to how completely different nations would react to a flood of Danish refugees?

Sure, however you may by no means say precisely how a rustic reacts, as a result of the one common factor you may say about human beings is when there’s a disaster, whenever you really feel threatened, there’s a regression. You pull again, you discover your closest folks, you begin defending your self. That creates aggression. You may see that Poland was very pleasant and beneficiant and welcoming to Ukrainian refugees. But when Poland was flooded by foreigners, as it’s in our future world, that will create a disaster and a regression and aggression. [But] there may be additionally a variety of generosity to be discovered on this sequence. The core of the sequence is a woman who sacrifices her personal life, her personal profession and the whole lot, to assist her mother. After which there may be Elias [played by Albert Rudbeck Lindhardt] who crosses a continent to be with a woman that deserted him.

Did you come out of creating this sequence roughly hopeful in regards to the future?

Properly, it’s a bit just like the query why will we maintain flying? Why do I maintain flying and shopping for new garments and all that stuff that destroys our planet, realizing that it destroys our planet? However I suppose it’s as a result of it’s the perfect we are able to do. This [climate change] is one thing we are able to’t address, its simply too massive a disaster. So we return to concentrate on our personal little self and world. I discover that basically attention-grabbing. And there’s a forgiven factor in that, as a result of that is the perfect we are able to do. It’s not that we don’t care, however that is simply the perfect we are able to do.

Have you ever gone again to that cafe in France and thanked the impolite waiter for uplifting you?

I haven’t, and he would go, he’d in all probability simply say: ‘Who the fuck are you?’ and insult me. In French.

Try the trailer for Households Like Ours beneath.