Tag Archives: Greg Berlanti

Greg Berlanti Talks Fly Me to the Moon, End of the Arrowverse

Fly Me to the Moon director Greg Berlanti doesn’t consider himself as a director initially. He’s a storyteller with a eager sense of how he can finest serve a undertaking, be it as a producer, author or director. Within the case of Fly Me to the Moon, the New York native had been speaking about working with Scarlett Johansson for a while, and the chance to helm a hijinks-filled romantic comedy-drama that’s set in and across the Apollo 11 Moon touchdown was one thing he couldn’t resist. 

His reasoning for signing on was additionally the polar reverse of why he selected to direct his earlier comedy-drama, Love, Simon (2018), which chronicled the approaching out story of teenager Simon Spier. (The critically acclaimed hit paved the best way for Hulu’s spinoff collection, Love, Victor.)

Love, Simon was a possibility to do a film that wasn’t there once I was a child, whereas Fly Me to the Moon was a possibility to do the form of film that was there each weekend once I was a child,” Berlanti tells The Hollywood Reporter.

Berlanti is referring to star-led unique motion pictures that provide huge audiences a bit little bit of every thing, one thing the Rose Gilroy-penned Fly Me the Moon does in spades, whether or not it’s romance, drama, comedy or intelligent motion. Johansson’s character, Kelly Jones, combines the advertising and marketing savvy of Mad Males’s Don Draper with the con artistry of Higher Name Saul’s Saul Goodman/Jimmy McGill and Kim Wexler. She is then recruited by Woody Harrelson’s shadowy G-man and tasked with rebranding NASA in the course of the Nineteen Sixties House Race with the Soviet Union, all in order that authorities funding will be upheld for Apollo 11’s mission to the Moon in 1969.

Finally, Harrelson’s character asks Kelly to stage a backup feed of a manufactured Moon touchdown in case one thing goes fallacious with Apollo 11’s precise endeavor. On the threat of injuring her budding relationship with NASA director Cole Davis (Channing Tatum), Kelly nonetheless proceeds to rent a director (Jim Rash), a DP and actors to play Apollo 11’s astronauts, to be able to pull off her most daring and impressive act of deception.

In the long run, Berlanti’s movie celebrates not solely one in every of America’s best accomplishments in touchdown on the Moon, but additionally how crucial the reality is to a well-functioning society and nation. To make these factors, the storytellers wanted to confront one of many oldest and most persistent conspiracy theories involving the Moon touchdown, and regardless of how conspiratorial our current day is, even NASA welcomed the concept of utilizing the conspiracy to drive dwelling these better themes.

“NASA was additionally fascinated by being concerned as a result of their ethos was ours, which was: ‘To have a look at the occasion of what was achieved, we’ve got to embrace this conspiracy idea …,’” Berlanti says. “So we didn’t shrink back from it as a result of, finally, the film is about why the reality is so vital. There was no extra vital time to do that, however nonetheless in a enjoyable, entertaining and lighthearted means. Beneath all that, one of many core issues that we’re dramatizing within the movie is … what we will obtain when there’s unity, not disunity.”

Berlanti is probably most identified for being a prolific TV producer, specifically the Berlanti-verse that consisted of such exhibits as Arrow, The Flash, Supergirl, Legends of Tomorrow, Black Lightning and Batwoman. He really prefers the time period Arrowverse, however Berlanti-verse is extra all-encompassing since Superman & Lois is technically not part of the Arrow universe. (Superman & Lois characters have appeared within the Arrowverse, however producers opted to set the collection on a special Earth since a lot of these Arrowverse exhibits have been within the midst of wrapping up.) And now, with the ultimate adventures of Tyler Hoechlin’s Superman airing this fall, Berlanti is starting to zoom out on every thing Berlanti Productions achieved on The CW. In spite of everything, the Berlanti-verse, together with the MCU and the Conjuring universe, are among the many few shared universes that managed to have longevity.

“The want success of making these tales that I grew up with — and to do it with the form of actors, writers and administrators that we started working with — was a very Camelot-esque form of time,” Berlanti says. “It was not considered on the outset [as a universe], however it grew to become bigger than life and bigger than itself. In order that was an actual particular time in my life … I’m very wistful concerning the form of success I had at the moment, and I want all these people one of the best.”

Beneath, throughout a latest dialog with THR, Berlanti additionally discusses how he overcame his cat allergy to direct Fly Me to the Moon‘s feline scene-stealer, Mischief.

Love, Simon was a well-received, profitable movie that additionally spawned a by-product collection, Love, Victor, and usually, that might result in one other directing alternative moderately shortly. Did the double whammy of the pandemic and labor stoppages set you again like lots of people?

No, weirdly. I’m so explicit. I’m not a director by commerce or nature. I don’t get up day-after-day, considering, “What am I going to direct at present?” I’m very a lot drawn to sure tales, and I’ll notice: “Oh gosh, I’m alleged to direct this,” or, “I ought to show-run this,” or, “I’d be one of the best consultant for X and right here’s why.” So I don’t really feel compelled to do [direct] except one thing comes alongside the place I actually really feel like, “Oh, I ought to do that and I believe I might do an excellent job for everyone.”

I had danced round one other undertaking with Scarlett, and so we had gotten the dialog going. She was producing and growing [Fly Me to the Moon], after which she despatched it to me to learn two years in the past, and I used to be smitten with the script. So I wished to work together with her as a producer and an actor. I assumed, “Gosh, what sort of actor of her advantage and expertise and stage and expertise is saying, ‘I’m going to boost my hand to do an unique story of this dimension.’” 

Love, Simon was a possibility to do a film that wasn’t there once I was a child, whereas Fly Me to the Moon was a possibility to do the form of film that was there each weekend once I was a child. They simply appear to not make some of these motion pictures as a lot anymore. You’ll go to the films on a Friday or Saturday, and also you wouldn’t know what was going to occur as a result of it’s an unique story. You simply know that it’s received huge stars and the complete help of a studio. In order that was what actually made me take the leap.

Scarlett Johansson, Woody Harrelson, Director Greg Berlanti and Channing Tatum on the set of Fly Me to the Moon

Dan McFadden/Sony Footage

I keep in mind a time when folks loved conspiracy theories as a way of leisure. However, these days, they’re so pervasive that it’s laborious to essentially interact with them on that stage anymore. So I respect that this film had a intelligent means of creating one of many oldest conspiracy theories enjoyable once more. Is that the way you reconciled taking part in with a real-life conspiracy idea in a time the place there’s a brand new one each 5 minutes? 

I’m so glad you requested that. NASA was additionally fascinated by being concerned as a result of their ethos was ours, which was: “To have a look at the occasion of what was achieved, we’ve got to embrace this conspiracy idea and speak about, ‘Properly, how wouldn’t it have been executed?’” So we didn’t shrink back from it as a result of, finally, the film is about why the reality is so vital. You see it in Scarlett’s character. So there was no extra vital time to do that, however nonetheless in a enjoyable, entertaining and lighthearted means. Beneath all that, one of many core issues that we’re dramatizing within the movie is why our achievement is so vital and what we will obtain when there’s unity, not disunity. 

Films and TV used to do this a lot extra. Certainly one of our nice commonalities as a nation and a world have been the exhibits and flicks that we watched and beloved. Going to the films and laughing was one of many issues all of us used to do collectively, and it made us all really feel linked. A pal who noticed Fly Me to the Moon lately mentioned, “Oh, it’s the form of film we used to make concerning the issues we used to do.” So I hope that it’s obtained in that means as a result of, regardless that it’s a really loud period, we’re nonetheless able to a lot as storytellers and as a nation.

My colleague lately wrote a bit on the rise of cats on the large and small display, and your film’s scene-stealing feline character, Mischief, is the newest instance to go together with A Quiet Place: Day One, Argylle, Ripley, and The Marvels

I learn that piece! So I thought of our movie, however they didn’t find out about [our cat] then.

Yeah, nobody knew about it on the time of that first trailer. So, what have been the highlights of making Mischief’s efficiency with little to no CG? 

We had to make use of a teeny little bit of CG to place Mischief up on the rafters, however it was nonetheless him. I shot him six toes excessive, after which CG was used to place him up there. However that’s it. In any other case, it’s the cat. Actually, there have been just a few scenes that I reduce out that additionally had the cat. I’m really allergic to cats. Generally, there’ll be one thing in a undertaking that I’m not trying ahead to, so I used to be like, “How am I going to direct this if I can’t even be that near him?” However actually, I left with such a special vibe. The three cats who performed Mischief have been so wonderful. We’d be on an entire new set, and so they’d be taught it instantly, so that they have been unbelievable. They’re enjoyable within the film within the sense that there’s a raison d’être for them to exist. However I didn’t know all these different movies and exhibits have been going to have cats in them once I was engaged on this. I didn’t see that coming. So it’s a bizarre factor that’s within the ether, however I left this film loving cats.

Channing Tatum and Scarlett Johansson in Fly Me to the Moon

Courtesy of Sony

One of many earliest realizations I had as an grownup is that most individuals are winging it. We’ve all needed to pretend it until we make it to some extent, and that theme may be very current on this film. As good as NASA was on the time, did they really need to play that sport with the general public? 

Yeah, a part of why I wished to do the film was as a result of I didn’t know if I might. When JFK mentioned at the start of the last decade that we’re going to go to the Moon, there was no proof to help that we have been going to get there, and I mentioned to the actors at first that Kelly form of represents that. There’s two sides to the American expertise. There’s the individuals who obtain these nice issues, however then there’s additionally these bullshit artists who say, “We’re going to do that,” regardless that nobody is aware of how we’re going to do this. The American expertise of people that dream the inconceivable after which the individuals who obtain it usually are not at all times the identical people, and typically, they need to work in accordance with each other.

So we felt that even in making this. In the event you’re doing one thing artistically that you just’re excited by, you don’t know if it’s going to work. In the event you do understand it’s going to work, then you definately’re most likely going to be tired of it sooner or later, after which all people else goes to be tired of it sooner or later. So I can solely think about the awesomeness that all of them felt over the course of that decade. 

There have been loads of people who have been there and helped us on our film, and I’d ask, “While you have been engaged on the flight guide, do you know X?” And they might say, “In fact, we didn’t know. We hadn’t executed it. We have been guessing, however we had a way of perception in ourselves.” In order that’s the vital a part of all this: “I don’t understand how I’m going to determine my means out of this, however I’ve a perception that with these folks round me, or this forged and this crew, that we’re going to have the ability to pull one thing off.”

Kelly Jones (Scarlett Johansson) in Fly Me to the Moon

Courtesy of Sony

I’ve by no means commented on this earlier than, however Scarlett’s smile performing actually impressed me. The smile she offers after Cole (Channing Tatum) leaves the diner for the second time — or any variety of mischievous smiles she delivers in different cases — was all actually nuanced work. Did the 2 of you calibrate every one collectively, or was that every one her personal intuition?

Properly, every thing is finally her intuition. That being mentioned, there have been loads of moments within the script the place we knew we have been going to be on her for a realization or second. We’re nearly at all times in her POV. So if we knew that we wished to create a second with out dialogue, an actor of her caliber may give you one thing completely different each time. Generally, you recalibrate these issues in submit, however she offers you such a bevy of choices that they at all times really feel truthful. The factor about every of the actors in that is that they every have their very own comedic and dramatic skills, however you at all times consider them, whether or not it’s their earlier work or this. When do you not consider Woody Harrelson? When do you not consider Ray Romano — or Jim Rash at his stage of dedication on this? Scarlett, Channing and even loads of our rising, youthful actors are simply truthful, and to be trustworthy, they at all times gave me greater than I wanted. So my job was to isolate these issues.

For folks like DP Dariusz Wolski and Colin Jost who have been already near manufacturing, did you continue to make them audition for his or her roles and undergo these steps? 

(Laughs.) No, for Dariusz’s function, I believe all people thought I used to be loopy. In the event you ask most DPs who their favourite DP is, they’ll say, “Oh, it’s Dariusz Wolski.” He’s that man, so I used to be so blessed to have him. He was most likely my best instructor all through the film. He taught me learn how to calibrate the sunshine and the pictures in a means that might make us really feel like we have been again [in the ‘60s]. He additionally talked a lot about how he would pretend the [Moon landing], and as I used to be auditioning these actors [to play the fictional DP], I lastly mentioned to Dariusz, “Properly, it is best to do that.” So he had the identical belief in me as a director that I had in him as a DP, and I simply mentioned, “Don’t fear. Simply be your self.” After we have been doing the movie take a look at for lighting and whatnot, I had him say a line to digital camera, after which I despatched it to Apple and to all people, saying, “That is really who I wish to play the DP.” And crazily sufficient, all people supported it. It’s only a enjoyable little twist within the movie. 

And I used to be the one who begged Colin when he’d come by set. In fact, he mentioned so many nice issues within the outtakes, however I couldn’t use all of them in that one little second. So I begged, and he was type sufficient to return do it.

Scarlett Johansson, Channing Tatum and Colin Jost in Fly Me to the Moon

Courtesy of Sony

You’re at an fascinating turning level in your profession as The CW’s Berlanti-verse will quickly be concluding after 12-plus years. Have you ever been capable of put your accomplishment into perspective but?

It’s humorous you say that as a result of I solely prefer to name it the Arrowverse. I don’t often use my title in affiliation with -verses, however it is extremely candy to say that. All of us look again at our life in numerous many years and moments, and for me, the want success of making these tales that I grew up with — and to do it with the form of actors, writers and administrators that we started working with — was a very Camelot-esque form of time. It was not considered on the outset [as a universe], however it grew to become bigger than life and bigger than itself. In order that was an actual particular time in my life, as was operating my first TV present [Dawson’s Creek] once I was in my twenties, as was engaged on exhibits like Brothers & Sisters that have been any person else’s creation, as was one thing like Love, Simon

So I attempt to enter any new interval or time of my life by surrounding myself with folks I’m actually excited to work with and tales that I’m actually excited to inform. The one unhappy half is I preserve getting older. (Laughs.) I can’t appear to cease that half from taking place, however there’s at all times some nice new Fly Me to the Moon-esque journey across the nook. So I’m very wistful concerning the form of success I had at the moment, and I want all these people one of the best.

You’ve received different exhibits going already, however are you intending to construct one other sprawling slate? Or are you going to lighten your obligations a bit?

It’s an excellent query, however I attempt to inform all of the folks at our firm that it’s not a numbers sport. The factor that I’m most pleased with about our firm is that we’ve made different showrunners. It hasn’t been identical to, “Oh, I created X exhibits.” It’s actually been: “Let’s give these instruments that I’ve been fortunate sufficient to accumulate to another particular person, and assist them get one or two or three exhibits on the air, as a result of they’re in that second of their life the place they wish to do this.” 

I’ve nearly at all times executed the identical quantity of labor day-after-day. I’m simply doing it between three exhibits or three exhibits and a film. Or, typically, I’m doing it throughout 10 or 12 issues, however it’s roughly the identical quantity of hours. So I by no means actually know. We’ve 4 or 5 exhibits now, however I might blink and we would have one other ten collection or two collection. So long as it’s with folks that we’re excited to work with and it includes tales that really feel like they want an opportunity to get informed, then I’d most likely be equally excited. Clearly, you additionally wish to assume you’re doing an excellent job for the folks which are paying you to place exhibits on the air. So it’s a aim, however I don’t know a special means of doing it than the best way I’ve at all times executed it. Generally, it results in so much, and typically, it’s much less. So I don’t know what is going to occur.

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Fly Me to the Moon is now taking part in completely in film theaters.

Greg Berlanti Screens ‘Fly Me to the Moon’ During Biden-Trump Debate

This pivotal yr for the nation was on Greg Berlanti‘s thoughts throughout an intimate screening of his interval movie Fly Me to the Moon that came about on the night time of this week’s presidential debate.

Scarlett Johansson and Channing Tatum star in Apple Authentic Movies‘ romantic comedy function from director Berlanti that hits theaters July 14, with Sony dealing with distribution. Set in opposition to the backdrop of the Apollo 11 moon launch in the course of the Area Race of the late Nineteen Sixties, Fly Me to the Moon facilities on a NASA director (Tatum) and advertising and marketing specialist (Johansson) who butt heads within the lead-up to the high-pressure second.

Among the many notable friends on the occasion held on the San Vicente Bungalows in West Hollywood had been performers who had beforehand labored with Berlanti, together with Cole Sprouse (Riverdale), Lucy Hale (Katy Keene) and Lukas Gage (You). Additionally in attendance had been Nina Dobrev, Billie Lourd, Alex Edelman, Donald De Line and Jim Rash, with the latter co-starring in Fly Me to the Moon as a filmmaker employed to assist stage the moon touchdown as a fallback plan.

Berlanti, who helmed the film from a script by Rose Gilroy, advised The Hollywood Reporter on the occasion that “this second within the nation” was on his thoughts with the movie being proven simply because the tense face-off between President Joe Biden and former President Donald Trump was winding down. The director and prolific tv producer stated the movie has led to viewers feeling nostalgic for a extra unified nation.

Cole Sprouse and Greg Berlanti attend the Fly Me to the Moon screening.

Eric Charbonneau/Getty Pictures

“Once I began to see that response from folks from each side, didn’t matter the place we examined — in Denver or Texas or right here — all people was feeling that very same factor,” Berlanti stated. He likened the response to equally fond emotions generated by his earlier movie, Love, Simon: “It was a bit reminiscent to once I was doing Love, Simon, and wherever we went, folks had been very nostalgic about their highschool expertise. It didn’t matter that it was a homosexual love story. It was very unifying.”

Whereas introducing Fly Me to the Moon on stage, Berlanti thanked the groups at Apple and Sony for believing in a theatrical launch for the movie and inspired attendees to assist unfold the phrase concerning the undertaking. “That is an extremely auspicious crowd, and we’re extremely grateful to your time — and on debate night time, no much less,” he stated.

This led occasion host Sara Foster to quip concerning the debate, “No one needs to observe that shit present.” Throughout the reception that adopted the screening, some friends could possibly be overheard voicing issues about how the talk unfolded.

Fly Me to the Moon producer Sarah Schechter, director Greg Berlanti and stars Jim Rash and Anna Garcia pose on the screening.

Eric Charbonneau

Berlanti additionally advised THR that the present proliferation of conspiracy theories was on his thoughts whereas making Fly Me to the Moon, on condition that the story entails the federal government encouraging NASA to movie a faux model of the moon touchdown in case the actual mission falls quick.

“The truth that they’re so prevalent now — this was nonetheless a film that was about why the reality is necessary, and that folks will convey no matter they’re going to convey to it,” stated Berlanti, who emphasised that the subject of belief within the authorities continues to be value exploring, regardless of the fraught nature of our modern second.

The filmmaker stated that he aimed to make “a really entertaining film [that] hopefully nonetheless has one thing to say about that. There’s a motive to take a look at that head-on and never shrink back from doing one thing like that now as a result of it’s so politicized.”

Fox Broadcast Network, The WB Architect Was 77

Jamie Kellner, the charismatic and artful government who expanded the published tv panorama by serving to hatch the Fox and WB networks in 1987 and 1995, respectively, had died. He was 77.

Kellner died Friday at his Montecito, California, house after a battle with most cancers, The Hollywood Reporter has discovered.

Whereas nonetheless using excessive atop The WB, Kellner in March 2001 was given extra tasks overseeing TBS, TNT and CNN as chairman and CEO of Time Warner sister firm Turner Broadcasting System. However he was at that for simply two years, earlier than he retired and served out the rest of his contract again in Burbank.

In the meantime, Kellner was chairman of the station possession group ACME Communications — named after the corporate within the Highway Runner cartoons at Warner Bros. — from its launch in 1997 till it was liquidated in 2016. He was the uncommon community TV exec who additionally had a hand within the station enterprise; ACME’s first 9 stations, in truth, have been WB associates.

The boyish Kellner was president of Orion Leisure Group when he was among the many first folks employed by Rupert Murdoch and Barry Diller in February 1986 to develop a community at Fox to compete with CBS, NBC and ABC.

As founding president and COO of Fox Broadcasting Co., he set about constructing the affiliate community, promoting programming to advertisers and establishing relations with producers.

“One of many first checks we apply [with a show] is: Would one of many three networks do that? And very often, if the reply is sure, then we disqualify it,” Kellner instructed The New York Instances in March 1987. “There isn’t a motive for us to exist if we’re going to do what they’ve already finished.”

Married … With Youngsters kicked off the primary official evening of Fox primetime on Sunday, April 5, 1987, and The Simpsons, Beverly Hills, 90210, Melrose Place and In Dwelling Shade would arrive later. He additionally spearheaded the creation of the Fox Youngsters’s Community.

Kellner resigned in January 1993 — Diller had stop 11 months earlier — and was given a berth on Fox Inc.’s board of administrators. However having launched a fourth broadcast community, he joined Warner Bros. in November 1993 itching to begin a fifth.

Kellner obtained an 11 % stake in The WB, with Warner Bros. taking 64 % and the Tribune Co. 25 %. (The community was constructed round six unbiased stations owned by Tribune, together with WPIX in New York and KTLA in Los Angeles.)

After beating the bushes in a fierce battle for associates with rivals from fellow community upstart UPN, Kellner celebrated the kickoff of The WB when The Wayans Bros. aired on Jan. 11, 1995, 5 days earlier than UPN acquired going.

The family-friendly drama seventh Heaven was The WB’s first massive hit, adopted by such different common reveals as Buffy the Vampire Slayer, Gilmore Women, Dawson’s Creek, Felicity and Charmed.

“He had a Mr. Spock-like indifferent high quality at instances,” onetime WB exec Suzanne Daniels wrote of Kellner in her 2007 ebook Season Finale, co-authored with Selection‘s Cynthia Littleton. “He wasn’t simply excitable, but he demonstrated such apparent ardour and dedication that he impressed a group of younger executives, none extra so than I.”

One in all 5 children, James Kellner was born in Brooklyn in 1948 and raised on Lengthy Island. His father, additionally James, was a Wall Avenue commodities dealer; his mom, Jean, was a volunteer with the North Shore Hospital Auxiliary for greater than three many years. He was an avid sailor who competed in yacht races as a teenager.

Kellner graduated with a level in advertising and marketing from Lengthy Island College’s C.W. Submit campus, then acquired into the CBS government coaching program in 1969 with assist from his dad.

Mentored by Hank Gillespie, he landed a job within the community’s program gross sales division and went with that unit when it was spun off as Viacom Enterprises, rising to turn out to be vp first-run programming, growth and gross sales.

In 1978, Kellner jumped to producer-distributor Filmways, the place he had the concept to boil down the 90-minute Saturday Night time Reside episodes right into a half-hour format preferrred for syndication. After Orion Photos acquired Filmways in 1982, he oversaw programming, house video, pay TV and syndication there and presided over the launch of Cagney & Lacey and a reboot of Hollywood Squares.

At Fox, it was his revolutionary concept to counterprogram a stay episode of In Dwelling Shade reverse the halftime present of the 1992 Tremendous Bowl, airing on CBS. These halftime reveals was once boring, however that may rapidly change: Michael Jackson carried out in ’93.

Because the No. 2 exec at Fox Broadcasting behind Diller, he had been given one % stake within the community. When he left after seven years, he obtained a payout of $10 million-$15 million, a “sliver of what [he] hoped to achieve from his involvement with The WB,” in keeping with Season Finale.

At his subsequent cease, Kellner reteamed with Garth Ancier — he had employed him as leisure president at Fox — they usually programmed an evening of “city” sitcoms, together with The Wayans Bros., The Steve Harvey Present and The Jamie Foxx Present. The brand new community would goal a youthful viewers, one which the maturing Fox had deserted.

“Jamie Kellner was the right mannequin of a CEO. Good all the time, pugnacious generally, all the time considering and infrequently smiling, Jamie gave the executives fortunate sufficient to work for him a lot of runway. He would finish conversations with, ‘Do we all know what we’re doing?’ When issues didn’t work out as deliberate (they usually generally didn’t) there was no angst, only a ‘subsequent time we’ll do it otherwise,’” John D. Maatta, former EVP and COO of The WB Tv Community, wrote in a press release. “The ambiance that Jamie Kellner and Garth Ancier created at The WB was a once-in-a-career second for which I’ll all the time be grateful.”

After a public and protracted bidding conflict, Kellner allowed twentieth Century Fox Tv’s supernatural drama Buffy the Vampire Slayer, created by Josh Whedon and starring Sarah Michelle Gellar, to go to UPN after its fifth season (and its WB contract) resulted in Might 2001.

The WB had been paying $1 million an episode in licensing charges. UPN wound up forking over $2.3 million an episode for 44 episodes over the present’s closing two seasons.

Kellner had a 5.3 % stake in ACME when he based it with Tom Allen, former CFO of Fox Broadcasting, and station exec Doug Gealy. The corporate acquired underperforming stations in such markets as St. Louis; Salt Lake Metropolis; Albuquerque; Portland, Oregon; Inexperienced Bay, Wisconsin; Dayton, Ohio; and Knoxville, Tennessee. One report referred to as the connection between ACME and The WB “vaguely incestuous.”

ACME had 9 stations when it raised about $105 million with an IPO in September 1999. It grew to 12 stations earlier than starting the method of exiting the enterprise in 2003.

Kellner didn’t endear himself to professional wrestling followers when he canceled World Championship Wrestling reveals on TBS and TNT in certainly one of his first programming choices at Turner. He additionally tried and didn’t carry buzz to CNN in its battle with the upstart Fox Information Channel and pushed to merge the community with ABC Information.

After he was changed by Phil Kent, Kellner remained with The WB by the top of his contract in June 2004, when Ancier — who had exited The WB for a prime NBC put up earlier than coming again — Jordan Levin and Jed Petrick took over. It might be his final massive job.

“It looks as if solely yesterday when the partnership between Warner Bros. and Jamie started, as he and Bruce [Rosenblum] traversed the nation in all sizes of planes and all forms of climate signing up associates,” Warner Bros. Leisure chairman and CEO Barry Meyer mentioned then. “Jamie and his group have executed on the imaginative and prescient past the expectations of all these naysayers that loudly proclaimed that there was no room for greater than 4 broadcast networks. Boy, have been they fallacious.”

Kellner noticed The WB vanish in September 2006 when Warner Bros. and CBS Corp. changed it and UPN with one community, The CW.

Survivors embrace his second spouse, former leisure banker Julie Smith; his daughter, Melissa Kellner Berman, who labored with TV producer Greg Berlanti as a growth exec; son Christopher; and siblings Thomas, Ronald and Nancy. His sister Karen died in 2005 at age 44.

“I don’t suppose there’s one other particular person within the historical past of TV that may say they helped begin two new main broadcast networks (Fox and The WB),” Berlanti wrote in a tribute. “Jamie Kellner was a titan and a visionary in our business and but he will likely be remembered by anybody fortunate sufficient to work for him as an government or as a showrunner as a heat, humorous, charismatic, artistic and sort mentor, buddy, husband and Dad.”

He continued, “He devoted his life in TV to fostering and betting on generations of expertise each in entrance of and behind the digital camera. I do know I communicate for thus many others after I say my life was modified by the Camelot-esque house he created for all of us who labored at The WB. He will likely be drastically missed.”