Because the Sarajevo Movie Pageant prepares to launch its thirtieth version, which runs August 16-23, the occasion stands as a testomony to the resilience and creativity of Southeast European cinema within the face of social and political upheaval.
Few cities bear the scars and burden of historical past as does Sarajevo. The pageant itself was born out of battle, launched in the course of the practically four-year siege of town by Bosnian Serb forces within the early 90s. Whereas the fest has by no means prevented this historical past — it runs a “Coping with the Previous” part of movies that have a look at “the various and unresolved points that date again to the battle within the former Yugoslavia” —from the beginning, the main focus has been on the ability of cinema to unite.
“The pageant display screen movies from Serbian just some years after the battle, which was not a preferred alternative on the time,” says fest director Jovan Marjanović, “however we all the time felt prefer it was essential to construct bridges and talk about, not censor and never boycott however to open up the dialogue.”
Within the three many years of the Sarajevo pageant, Marjanović notes proudly, “no politician has ever given a political speech from the pageant stage, or used the pageant as a springboard for native or worldwide politics. It’s one thing we’ve by no means accomplished and that we received’t ever do.”
As a substitute, Sarajevo has targeted on the movies, efficiently evolving right into a hub for filmmakers from the Balkans and surrounding international locations, providing a platform to current their tasks, typically on the script or growth stage, discover co-production and distribution companions, and, of their last type, current cinematic tales that supply a extra nuanced have a look at the area and its folks.
“I believe our deal with movies from Southeast Europe is resurfacing with further relevance this yr,” says Marjanović. With every part happening on the planet and in these areas up to now couple of years, and filmmakers both catching up with it or reflecting on it, I believe an image of this area is rising with all its complexities.”
One in all Sarajevo’s distinguishing options over time has been its dedication to nurturing expertise from the earliest levels of filmmakers’ careers. The 2024 line-up once more contains a number of debut options, although Marjanović notes first-time filmmakers “are hardly ever actually new voices for us, as a result of we run so many platforms for brief movies, for pupil movies, that these ‘new’ administrators have been across the pageant for some time. It’s an actual privilege to see them develop and develop at Sarajevo from yr to yr.”
Established abilities additionally preserve coming again. Palestinian director Elia Suielman, recipient of this yr’s Coronary heart of Sarajevo award, is a pageant common.
“I’ve been president of the jury [in 2016], I’ve screened my movies there. I believe I’ve accomplished a few grasp courses, I believe I’ve been there as soon as with out having any actual cause,” says Suielman. “[Sarajevo] has grow to be like a household factor for me, and I don’t suppose I’m the one individual that has that sort of relationship, with the pageant. I’ve met fairly a couple of individuals who simply go there as a result of they just like the place and so they just like the folks.”
Alexander Payne, for one. The Oscar-winning director will make his third go to to the pageant this yr, to obtain a Coronary heart of Sarajevo honor and to current a restored model of his 2004 traditional Sideways on its twentieth anniversary (the unique additionally screened in Sarajevo).
Marjanović is eager to emphasise that the pageant’s “household feeling” extends far past its annual August gathering and contains year-round initiatives. These embrace workshops, coaching packages, and even an arthouse theater within the metropolis devoted to selling the movies and expertise from the area. This steady engagement has helped create a tight-knit group of filmmakers, producers, and trade professionals and has helped foster cross-border tasks.
“The primary financing plan that involves thoughts for an impartial producer [from the former Yugoslavia] lately is a co-production, which was not the case earlier than, and I believe this one of many direct results of Sarajevo Movie Pageant and our relentless assist of co-production and cooperation,” says Marjanović. “Now we have proven the industries within the totally different international locations what connects them and the way economies of scale may be achieved, and the companies perceive that. We see an increasing number of connections yearly.”
It’s unlikely the 2024 Sarajevo Movie Pageant will have the ability to keep away from politics altogether. Pointing to current controversies on the Berlin and Amsterdam movie festivals, the place protests over the battle in Gaza dominated the headlines, Marjanović says he has “come to count on” a sure diploma of polemics. “It’s what occurs these days, you simply should be prepared for it, know learn how to talk and keep your independence…In case you undergo our program, you may see we’re exhibiting a cinema that strives for a deeper understanding of the human situation, each particular person and collective. A variety of that’s political, however it’s by no means day-to-day politics, the politics of 24-hour information and social media. The pageant is a uncommon alternative the place we are able to discover room for nuance.”
Because the Sarajevo Movie Pageant enters its thirtieth yr, it continues to evolve and adapt, very like the area it represents. However its core mission of showcasing the very best of Southeast European cinema, to nurture new expertise, and to offer a platform for dialogue and understanding, stays unchanged.
“Our core thought, nonetheless naive it’d sound, is that peace should prevail and can prevail,” says Marjanović. “Now we have to work for that and deal with what unites us in all of the variations that we have now. And that’s cinema and the power to replicate and see folks round us as folks.”
