Charli xcx is hitting again on the “boomers” critiquing her use of autotune throughout Saturday evening’s Glastonbury set.
The British celebrity began her raucous set on the U.Okay. musical competition with a burning Brat signal towering over her shoulder earlier than obliging 1000’s of followers with album favorites like “365” and “Von dutch,” in addition to old-school hits, together with “occasion 4 u” and “I Love It.”
She had all the competition torn in two as Charli, acting on the Different stage, clashed with headliner Neil Younger and the Chrome Hearts late within the night.
On Sunday, the singer posted to X about getting feedback that her efficiency was lower than for utilizing autotune. “Actually having fun with these boomer vibe feedback on Glastonbury efficiency. It’s tremendous fascinating to me.”
She continued in a sequence of posts: “Like the concept singing with a deliberate autotune makes you a fraud or that not having a standard band all of a sudden means you need to not be a ‘actual artist’ is like, probably the most boring take ever. yawn sorry simply fell asleep.”
The “Velocity Drive” singer then acknowledged she enjoys the discourse. “[In my opinion] the most effective artwork is divisive and confrontational and infrequently evolves into really attention-grabbing tradition slightly than being like sort of okay, simply understood and kind of forgettable.”
She then thanked U.Okay. outlet The Guardian for the five-star evaluate the publication gave her set.
Amongst among the highlights from the set included Gracie Abrams — on Worthy Farm this weekend as a performer, additionally — being chosen as Charli’s “Apple” lady. “I like you a lot, Gracie,” she stated because the U.S. singer blew kisses on the digicam.
On the finish of the raucous efficiency, the place Charli sipped white wine and splashed round in on-stage rain, signage on both aspect of the stage thanked followers for his or her ongoing help. “I feel you’ve all confirmed to me that brat is perpetually,” considered one of them learn, “I don’t know who I’m if it’s over.”