Switzerland’s Nemo rehearses “The Code” earlier than the second semifinal.
Jessica Gow / TT Information Company/AFP through Getty
Up to date Might 11, 2024 at 8:00 AM ET
Yr after yr, the Eurovision Track Contest delivers a blinding, glittery spectacle of solely barely contained chaos. There’s all of the lights, fireworks, flags, sequins, disco balls and dance breaks, in fact – however there’s additionally the songs themselves, which this yr boast shows of (vocal) gymnastics extra spectacular than something you will see flipping throughout a mat in Paris this summer time.
Know this: 2024’s brace of 26 Eurovision finalists characterize what’s, even for this contest, a maximalist bunch. These songs go huge. I would go as far as to say that the printed on Saturday (beginning at 3:00 p.m. ET on Peacock) is shaping as much as qualify as Peak Eurovision, so put together to bask within the superb bombast of all of it.
Musically, anticipate the standard mixture of pop bops, baroque ballads and membership bangers. Additionally, as at all times, stirring anthems about (choose a number of) standing up or holding up or trying up or not giving up. However by way of vibe? This yr’s roster teems with performers positioning themselves as quirky/witchy iconoclasts. You recognize the kind: daring, irrepressible people who reject the (checks notes) conformist RULES of (checks notes once more) SOCIETY.
The welcome presence of such gleefully bonkers acts as Eire’s Bambie Thug, Finland’s Windows95man, San Marino’s MEGARA, Slovenia’s Raiven and lots of others – together with a number of performers highlighted beneath – makes it official: Eurovision 2024 is The Yr of the Weirdo.
For these of us who’ve needed to undergo by means of the previous few years of the competition, which had been overstuffed with wan, weepy younger males warbling about heartbreak, I say: Deliver it on, ya joyous freaks.
And, although Eurovision organizers see the occasion as “non-political,” it has been, as up to now, a televised live performance with synth beats, glitter on the ground, and geopolitical undertones. Protestors have been on the streets in Malmo this week; they are saying Israel ought to have been banned from the competitors this yr because of the ongoing navy offensive in Gaza. Israel, whose singer Eden Golan is within the Grand Remaining Saturday, was initially requested to revise the lyrics to their entry within the competitors this yr, when an earlier tune appeared to consult with Oct. 7 assaults by Hamas. Extra anti-war protests are deliberate exterior the Malmo Area on Saturday.
On prime of that, Joost Klein – a crowd favourite from the Netherlands – has been banned from the competitors simply hours earlier than the Grand Remaining. In an announcement Saturday, the European Broadcasting Union wrote, “Swedish police have investigated a criticism made by a feminine member of the manufacturing crew after an incident following his efficiency in Thursday night time’s Semi Remaining. Whereas the authorized course of takes its course, it will not be applicable for him to proceed within the Contest.” Klein didn’t carry out on the gown rehearsal Friday night time.
This is what you could know earlier than Saturday’s Grand Remaining.
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Finland’s Teemu Keisteri, also called Windows95man, emerges from a denim egg whereas performing the tune “No Guidelines!” through the first Eurovision semifinal in Malmo, Sweden, on Tuesday, Might 7.
Jessica Gow / TT Information Company/AFP through Getty
The foundations
We can’t be diving deep into the internecine particulars of Eurovision voting, as a result of they’re going to spend a whole lot of time throughout Saturday’s broadcast explaining the whole lot in punishing element (which is traditionally time to refresh your drink and/or nip to the toilet).
However, very mainly: The 37 international locations taking part in Eurovision this yr every submitted a tune to compete in two semi-finals which happened earlier this week. Of these 37, 26 had been set to compete in Saturday’s Grand Remaining. (Joost Klein’s disqualification means solely 25 will take the stage.) Six sailed by means of simply: yearly, the so-called “Huge 5” international locations – France, Spain, Germany, Italy and the U.Okay. – mechanically qualify for the Grand Remaining, as they contribute probably the most cash to the competitors. Additionally assured to advance: Whichever nation received the earlier yr’s contest, thereby internet hosting the competitors this yr. On this case: Sweden.
This yr, the 20 different international locations that made it to the Grand Remaining had been fully decided by viewers watching at house, the so-called televote. This put an attention-grabbing spin on issues, as a result of up to now, placement within the Grand Remaining was decided by a 50/50 mixture of the televote and the votes of a global jury of music trade professionals.
Removing the jury vote within the semifinals meant that performers who introduced a whole lot of crowd-pleasing visible aptitude to their qualifying performances had a greater shot than in years previous. The worldwide juries shall be again for the Grand Remaining, nonetheless. How their traditionally conservative, wet-blanket sensibilities mesh with the voting public’s love of shiny glittery fiery extravagance is an enormous a part of what makes Eurovision so rattling compelling and unpredictable.
So, throughout Saturday’s Grand Remaining, every efficiency should adhere to the next guidelines:
Simply to underscore Rule 3: Eurovision is just not and has by no means been a lip-syncing competitors. These performers are singing dwell, although their instrumentation and backing vocals are pre-recorded. If on Saturday you end up starting to doubt that truth, notably for international locations whose performers incorporate propulsively cardio choreography like Georgia, Cyprus and Austria, remind your self that you simply’re not watching a lip-sync, you are watching great breath management.
The dwell vocal efficiency is all-important. Over time, quite a lot of acts have sailed into the Grand Remaining favored to win, solely to have a hesitant, breathless or off-key vocal within the dwell efficiency destroy their possibilities. Stakes. Gotta love ’em!
And as for Rule 4: Each time a efficiency entails a “band” wailing away on their drums, guitars and/or saxophones, remind your self you are not watching them really shred, you are watching them mime. It is form of cute.
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Eire’s Bambie Thug performs “Doomsday Blue” through the first semifinal.
Jessica Gow / TT Information Company/AFP through Getty
The Grand Remaining
Final yr, for the primary time, viewers within the U.S. had been capable of vote for his or her favourite Eurovision performances – although these votes obtained pooled with different non-participating international locations all over the world. This yr the U.S. will once more have an opportunity to vote within the Grand Remaining through the Eurovision app.
This is how Saturday’s Grand Remaining will proceed. First, the 25 international locations will carry out their songs. Then the viewers will vote. (NOTE: Viewers in taking part international locations can not vote for their very own nation, which at the least notionally prevents the massive inhabitants facilities from dominating the competition.) The viewers vote shall be tallied. Then the jury votes shall be collected over a sequence of glorified Zoom calls to representatives in every taking part nation, which shall be marked by video lags and audio dropouts; this course of is awkward, interminable, cringeworthy and pleasant. The jury votes shall be tallied, which can or might not fully supersede the televote. The winner shall be introduced, a trophy shall be handed out, and the winner will carry out the successful tune once more. The top.
Listed below are the songs with the perfect shot to win this yr’s Eurovision Track Contest, as decided by me, a middle-aged queer American man who loves bops and hates ballads. Which is to say: It is a extremely subjective checklist. If you wish to know what the oddsmakers assume, go right here.
Netherlands: “Europapa” by Joost Klein
Replace: Joost Klein and his tune “Europapa” have been disqualified from the Grand Remaining Saturday.
This goofy, peppy, earwormy bop is basic Eurovision – and that is even earlier than you consider its lyrics, that are basically a love tune to the European Union itself. Particularly, to the flexibility to galavant across the continent freely, cheaply and with out a care on this planet. (On the finish, he additionally sneaks in a tribute to his late father, “Who informed me as soon as the world has no borders.”) Mainly, this tune represents the catchiest, sunniest attainable strategy to say: Eat it, Brexiters!
Estonia: “(nendest) narkootikumidest ei tea me (kull) midagi” by 5MIINUST & Puuluup
Certain it is a bunch of burly, beardy dudes dancing a TikTok-ready people dance, taking part in people devices and, sure, throat-singing. In different phrases: Eurovision Bingo! Nevertheless it’s a lot greater than that: These performers radiate simple bear-daddy charisma, and the driving uptempo beat, paired with that plaintive, hovering vocal (“Oooooooooh, yea-eahhhhhhhhh”) will crawl inside your medulla oblongata and arrange housekeeping. The title interprets to “We (actually) do not know something about (these) medicine,” and the Estonian lyrics learn like a suspect pleading his innocence on a drug arrest: “I do not know medicine, I do know soda and cider/Could not inform the distinction between nutritional vitamins and pace.” “We keep away from intoxicating substances, that is one thing wealthy folks do.” Uh-huh. Suuuuure.
Croatia: “Rim Tim Tagi Dim” by Child Lasagna
In some ways, “Rim Tim Tagi Dim” presents a sardonic counterpoint to the Netherlands’ “Europapa.” The place that tune celebrates the liberty of journey throughout the EU, this one laments the lack of alternative in Jap Europe which is inflicting hundreds of younger folks to depart their houses and migrate to the West. Granted, performer Child Lasagna places a wink on all of it (“Bye mother, bye dad/Meow, cat, please meow again”), all set to an insistent, Rammsteinian marching rhythm. However he finds a strategy to lean into the melancholy on the similar time (“There is not any going again/My presence fades to black.”) It is that form of narrative turducken – and, let’s be actual, a killer hook – that make this at the least a Prime Three contender, if not the outright winner. Croatia has by no means received Eurovision, so that might be an enormous deal.
Italy: “La Noia” by Angelina Mango
“La Noia” means “The boredom,” and Angelina Mango saturates her vocals with a becoming quantity of over-it-all ennui even because the syncopated, percussive melody swirls and throbs and compels you out of your seat and onto the dance flooring. (On this case, the dance flooring is your front room.) Lyrically, the tune’s a few girl who turns to dancing and partying to take care of “these wasted days.” “A crown of thorns would be the gown code for my celebration,” she sings, which is a deeply Italian however weirdly emo sentiment for a tune so doggedly decided to set your booty shaking. Mango’s obtained an enormous following as a result of she’s a mesmerizing performer who by no means breaks a sweat, even throughout these passages when the tempo instantly accelerates and the lyrics begin rushing by so quick they threaten to show the tune right into a five-Vespa pile-up. Control her.
France: “Mon Amour” by Slimane
Slimane invests this straight-down-the-middle ballad with a looking out, plaintive, torch-song high quality that is extra quintessentially French than a beret slathered with Camembert and stuffed in a baguette. When you go by the lyrics, the man’s form of a tablet: Urging his lover to return to Paris, promising issues shall be completely different, demanding to know in the event that they love him, and at one level asking probably the most hilariously red-flaggiest of all questions, “What can we do about my ache?” However Slimane emotes everywhere in the stage, and his insinuating vocals slide you proper previous the ick of all of it. He isn’t a flashy performer, so the televoters won’t choose up what he is placing down, however the jury is certain to present the technical ability on show right here the like it deserves.
Eire: “Doomsday Blue” by Bambie Thug
“Doomsday Blue” is an instance of my favourite Eurovision phenomenon – the underdog glow-up. When Bambie Thug’s queer, witchy mixture of metallic and melody received them the appropriate to compete for Eire, there have been loads of rolled eyes, clucked tongues and shrugged shoulders. “Too bizarre,” they stated. “Too darkish,” they stated. However someplace on their strategy to Sweden they upped their recreation and have arrived at a good weirder and darker stage efficiency that is, properly, spellbinding. The spell in query is a hex, to make sure – the singer deftly switches between summoning black magic to torment an ex-lover (“Avada Kedavra/I converse to destroy”) and murmuring a light-weight, candy tune of resignation and acceptance (“I assume you’d reasonably have a star than the moon/I assume I at all times underestimate you”). Bambie Thug’s efficiency within the first semifinal electrified the group, and it tells a narrative: They dance with a demon and, in so doing, achieve the flexibility to subdue it, and defeat it. I predict the voters at house will eat this all the best way up, whereas the jury voters will discover themselves some pearls to clutch.
Spain: “ZORRA” by Nebulossa
Strictly talking, zorra means a feminine fox, however as generally deployed, it is a coarse time period for a, um, free-spirited girl, or at the least a lady you do not like. You understand how Outdated Hollywood films used to bust out the phrase “vixen” – a feminine fox – to explain the form of girl performed by Joan Crawford and Bette Davis? It is like that, solely ruder. On this tune, Nebulossa does stable work not solely reclaiming the phrase, however luxuriating in it. Translated from the Spanish: “I do know I am not who you need me to be (zorra, zorra) /I get it, it is driving you up the wall (zorra, zorra)/However that is simply my nature (zorra, zorra)/Cannot be bothered to alter for you.” Preach. Within the run-up to semi-finals her vocals have confirmed, to place it kindly, a bit uneven, so this might go both method. The caked-up male backup dancers in thigh boots, butt-floss thongs and corsets ought to assist clean issues over. (Confession: This tune does not have a lot of a path to successful; I identical to it, and the aforementioned dancers, an incredible lot.)
Ukraine: “Teresa & Maria” by alyona alyona and Jerry Heil
Pop singer Jerry Heil and rapper alyona alyona come collectively for this tune that urges religion and perseverance by invoking each Mom Theresa and the Virgin Mary. The chance when mixing two such discrete musical approaches is that every will lose its singular character as soon as mixed, however that is not the case right here. The 2 performers stay distinct, and so they create a form of two-sided musical dialog – a tune that feedback on itself. Ukraine at all times comes into the competitors with a certain quantity of worldwide goodwill, however in addition they constantly stage their entries in ways in which make indelible visible impressions on the house viewers. Do not underestimate Ukraine, in Eurovision and in life.
Austria: “We Will Rave” by Kaleen
A number of international locations submitted membership bangers with prolonged dance breaks this yr. (See additionally: Georgia, Cyprus, Luxembourg, Malta.) However Austria’s “We Will Rave” is the perfect of the sweaty, attractive bunch, in no small half as a result of it isn’t content material to serve you up simply a dance break. You are not even by means of the primary verse earlier than the tune outfits you with its personal remix. No extra lengthy weeks ready round for some DJ on Ibiza to try this heavy lifting for you – the membership combine is already right here, manufacturing facility put in in your comfort! Additionally: a fake-out ending adopted by a breakbeat end? Are you kidding? Sure, it is dated – it is giving “Evening on the Roxbury” – nevertheless it’s additionally, not for nothing, catchy as hell. Why this tune has a shot: Kaleen’s a recognized and beloved Eurovision presence – a blinding dancer who’s totally able to turning it all the best way out within the dwell efficiency. Why that shot will most likely go awry: Even when the house viewers eat this up, Eurovision’s worldwide juries haven’t been form to bop music, as they’re made up of music trade snobs – the very fuddiest of duddies – who would not know a stone chilly groove if it bit them squarely on their stone chilly groove issues.
Switzerland: “The Code” by Nemo
Eurovision oddsmakers (sure, that is a factor) say this tune is among the clear favorites to win the competition this yr, which is sensible, because it’s the right distillation of ESC 2024’s entire heedlessly maximalist vibe. It is obtained a little bit of opera, a little bit of (gentle!) rap, some drum-and-bass EDM – it is, , a lot. Toss within the lyrics about performer Nemo realizing their non-binary standing (“Someplace between the 0’s and 1’s/That is the place I discovered my kingdom come”) and it is gonna be robust to beat. Any tune full of this many various types can come off like one thing assembled in a lab, however Nemo brings us together with them, fluidly and effortlessly crusing by means of every transition. If they will pull it off dwell, this one’s obtained all of the earmarks of a showstopper – and a winner.
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