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JD Souther, singer who co-wrote Eagles classics like ‘New Kid in Town,’ dies at 78

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JD Souther, singer who co-wrote Eagles classics like 'New Kid in Town,' dies at 78

JD Souther, the singer, songwriter and actor who co-wrote among the largest hits of the Eagles, like “New Child in City” and “Better of My Love,” and had an extended solo profession that included the highest 10 hit “You’re Solely Lonely,” died Tuesday at age 78. No reason behind dying was given however he was described by reps at Solters PR as dying peacefully at dwelling in New Mexico.

Souther was about to exit for joint live performance dates this fall with Karla Bonoff, one other veteran of the Seventies Southern California singer-songwriter scene, and had carried out as not too long ago as 5 days in the past.

Apart from “New Child” and “Better of My Love,” different compositions co-written by Souther that appeared on Eagles albums included “Heartache Tonight,” “Sufferer of Love,” “James Dean,” “Doolin-Dalton,” “The Unhappy Cafe,” “You By no means Cry Like a Lover,” “Teenage Jail” and “Final Good Time in City.” He was the only author of “How Lengthy,” a canopy the Eagles launched in 2007 of a tune Souther had first put out as a solo artist in 1972. His friendship with Don Henley prolonged to co-writing that artist’s traditional “The Coronary heart of the Matter” and a number of other different tracks on Henley’s solo albums.

Though Souther’s solo profession didn’t attain something close to the favored crests of the work he wrote for or had carried out by high artists of the day, Souther did attain the highest 10 of the Billboard Scorching 100 in 1979 with the Roy Orbison-esque “You’re Solely Lonely,” a ballad that additionally held the No. 1 spot on the grownup modern chart for 5 weeks. He simply missed making the highest 10 once more when the 1981 single “Her City Too” — a duet with James Taylor — peaked at No. 11 on the Scorching 100 (it reached No. 5 at AC).

Past his work with the Eagles, he was additionally carefully related to the discography of Linda Ronstadt, whom he dated within the Seventies, with the tracks she recorded together with “Prisoner in Disguise” and “Faithless Love.” He additionally had songs recorded by the Dixie Chicks, George Strait and Bonnie Raitt.

“There was positively a time frame the place individuals would often say to me, ‘Doesn’t it piss you off that the Eagles have these large hits off your songs?’ I might often begin saying, ‘Would you wish to see the checks?’” Souther stated in an interview with the Inventive Unbiased. “Pissed off? How might I be pissed off? Even Glenn Frey as soon as stated — and he was form of joking as a result of he is aware of how the royalty factor works — however he stated, ‘One of many causes JD didn’t have a much bigger solo profession is as a result of he gave us or Linda Ronstadt most of his finest songs.’ And that’s form of true. The closest I bought to being actually well-known was throughout the ‘You’re Solely Lonely’ interval, and I actually didn’t prefer it that a lot, frankly. It’s a aid in some methods, although it additionally doesn’t pay fairly as effectively.”

Souther loved an surprising profession as an actor in tv and movie, beginning with a task on the prime-time collection “Thirtysomething” in 1989. He subsequently was finest recognized for showing on the primary season of “Nashville” in 2012, along with his different elements together with small roles within the movies “Postcards From the Edge,” “At all times,” “Purgatory,” “Deadline” and “My Woman 2.”“The performing stuff got here as a result of somebody requested me,” he stated in an interview with Acoustic Storm. “I acted after I was a child… in highschool and school. I by no means considered it a lot in L.A., though anyone who likes films fantasizes about being in them. However nice individuals requested me to be of their films. Steven Spielberg requested me to be in a film, Ed Zwick requested me to do that arc of episodes on ‘Thirtysomething’ and Mike Nichols requested me to be in ‘Postcards From the Edge.’ There’s completely no motive to say no to individuals of that high quality after they ask you to be of their movies. I had an agent, however I don’t know that I actually learn for any of these roles. I could have learn for the one in ‘Thirtysomething,’ though I believe Ed simply needed me to do it. I believe I learn a web page or two. I left after which my agent known as and she or he requested me how I did. I stated, ‘I sucked, it was horrible.’ She stated, ‘That’s humorous, as a result of simply you bought the half.’ A lot for self-evaluation.”

Souther was inducted into the Songwriters Corridor of Fame in 2013.

His collaborations with the Eagles adopted a short-lived band that Souther was truly in with Glenn Frey, Longbranch Pennywhistle, which launched one self-titled album in 1969, which Souther didn’t maintain in excessive regard.

As a solo recording artist, he was not prolific, however he began out with a burst of albums as a part of David Geffen’s Asylum Information steady — beginning with 1972’s “John David Souther,” the debut LP that included the long run Eagles lower “How Lengthy.” That was the final time he glided by his full title, preferring thereafter to make use of initials, saying, “It began with me handing over songs as JD Souther in ’71. I had seen the J.S. Bach music, first in books after which on the British Museum, and as there was no larger music for me to aspire to. I adopted the abbreviation.”

One interruption in his early solo profession got here when he, Chris Hillman and Richie Furay had been corralled to type a supergroup, the Souther-Hillman-Furay Band, which fell aside after two mid-’70s albums went nearly immediately to the cutout bins. 

In an interview within the 2010s with this author, Souther spoke about how he turned a form of icon of country-rock — sarcastically, to him, since he had grown up listening to jazz, classical and something however nation. “We had been all very a lot within the sway of the interface between rock ‘n’ roll and nation music on the time. Within the late ‘60s, early ‘70s, everyone was listening to Buck Owens and Merle Haggard and Waylon Jennings. The group of fellows that had been earlier than me — CSN, the Byrds, Dillard and Clark, Poco, the Burrito Brothers and all these guys — had fairly effectively built-in rock ‘&’n’ roll and nation music into this actually formidable sound. Linda and I had been collectively, and she or he performed me quite a lot of nation music that I had by no means heard earlier than. In reality, I simply realized that there’s one little factor I do with my voice on the finish of strains, and it form of irritates me that I simply can’t appear to assist doing it. I used to be considering it was one thing left over from what we had been doing within the ‘70s, however I spotted it’s one thing I heard on a Louvin Brothers report, and it simply caught, someplace in my muscle reminiscence. My voice simply does that—a little bit tiny ghost of a yodel on the finish of some strains. I by no means imply to do it, however it gained’t go away!”

Of the scene on the time, he advised this author, “The truth that the music we made was thought of to be its personal style — Southern California rock or no matter — wasn’t intentional. To start with, as a result of there have been no true southern Californians in that group besides Jackson Browne, and he was from Orange County. Glenn is from Detroit, Henley’s from Texas, I’m from Texas, Linda’s from Arizona, Waddy (Wachtel) was from New York, Kooch (Danny Kortchmar) was from New York, James (Taylor) was from outdoors Boston, and Warren Zevon was from Mars. It was a very extremely various bunch of those who moved there from in every single place else. The widespread denominator is that we had been all hungry on the similar time. We had been all enjoying these open-mic nights on the Troubadour, hoot nights, and we turned associates and had an actual shared ethic about music being good, and about its being good being extra vital than it being briefly in style. We tried to write down songs that we felt would final a very long time. No less than that was my motivation.

“There was nothing flippant about what any of us had been writing,” he continued. “The group that was hanging out was Don and Glenn and Jackson and Zevon and me and Linda — who, though she didn’t write, performed an enormous half in that, as a result of she was such a superb ear. She actually selected the perfect of all of our songs to report. She’s simply sensible as a whip and had an amazing ear for songs and for what she might sing. And Judee Sill, who doesn’t get talked about a lot, as a result of she by no means offered quite a lot of information and she or he died some time in the past, however she was very a lot in my group of associates, too. All these individuals had been simply actually critical about music. There was some pleasant competitors about it, though we had been all positively on one another’s aspect. All people needed to indicate up with one thing that made all the remainder of us go, ‘Wow! I want I had considered that.’”

Because the ill-fated Souther-Hillman-Furay Band wound down, he resumed solo work for Asylum with the 1976 album “Black Rose,” then moved to Columbia for 1979’s “You’re Solely Lonely” and 1984’s “House by Daybreak.” 

Following that, he took a 24-year launch from record-making, preferring life within the dwelling he had constructed for himself within the Hollywood Hills, and ski journeys to New England or retreats in Japan, to persevering with to work within the music business. “It was paradise. Life was as peaceable as I had recognized it since I used to be a toddler in Wellington, Texas, however I knew I must return to work someday.”

He lastly returned to creating information in 2008 with “If the World Was You,” an album recorded with a jazz ensemble. He adopted it up in 2011 with “Pure Historical past,” a launch made up largely of his personal new recordings of songs that had been hits for the Eagles and Ronstadt. “Tenderness,” a group of all-new materials, adopted in 2015. It was his last album launch, although he continued to tour within the following years, up till his dying.

In a 2018 interview with the Chicago Tribune, Souther stated that he was nonetheless pleasant with most of his famous person collaborators. “I’m very near (Ronstadt). I’m nonetheless very near Jackson (Browne); I discuss to him on a regular basis,” he advised the newspaper. “Don and I preserve sending one another the identical foolish emails we at all times have. Most likely the particular person I noticed the least of the previous few years, to my remorse, was Glenn. It hit us all very exhausting that he died. I used to be his first associate, he was my first songwriting associate and finest pal. After we had been simply infants we did quite a lot of actually loopy stuff for no cash, only for anybody who would allow us to play.”

He stated that he’d almost change into a member of the Eagles when the group was being fashioned, however was the primary to understand his inclusion wouldn’t work after one tryout with him within the lineup. “I believe I used to be within the band for in the future. David Geffen thought it that might be ‘4 songwriters, good; 5 songwriters higher.’ So we put collectively a set and performed it on the Troubadour within the afternoon for the administration group. I simply keep in mind them wanting down the entrance line and seeing 4 of us bashing away at stringed devices. And, to be frank, they didn’t want me. They had been a wonderfully well-rounded, self-contained band. I figured we had been going to maintain writing collectively anyway, so I believe all of us bought the perfect of that scenario, the very best final result. Frankly, after I stated, ‘No, I don’t assume I actually need to be within the band,’ I’ve by no means seen 4 guys extra relieved. I believe they had been extra delighted than I used to be.”

Souther stated that there was no strict division of duties when he co-wrote with Frey and Henley. “Often all three of us are writing all lyrics and music,” he advised Acoustic Storm in an interview. “’New Child in City’ might be a bit completely different as a result of I had the refrain performed for nearly a yr earlier than I confirmed it to Glenn and Don. … It’s at all times a joint effort. I can’t converse for them, however as a lot music as I had in my background, it was largely jazz and orchestral music. I wasn’t uncovered to nation music till I used to be nearly grown.” Though he admitted he typically most popular to write down by himself, he was greater than prepared to make an exception for these all-stars. “(Writing as a group) speeds issues up quite a bit,” he stated. “Whenever you’re writing with good writers like Jackson or Warren Zevon or Don and Glenn, you’re so crucial of one another that you simply don’t let something move that doesn’t really feel prefer it’s A+.”

In a dialog with the Inventive Unbiased, Souther — who had moved to Nashville — stated, “Glenn Frey had been dwelling in New York for just a few years when he died. And Don Henley lives in Texas and Linda lives in San Francisco. We’re all form of unfold out to the far corners anyway. However sure, that time frame was in all probability distinctive. Now, I preserve assembly younger musicians who will say to me, ‘God, I want I lived in California within the ’70s, it will need to have been so cool.’ To us, it was simply on a regular basis life. Additionally, we had been all fairly fiercely aggressive, notably Frey and Henley and myself.”

His closeness with Ronstadt lasted by means of the years. When he was releasing his last album in 2015, he advised the Arizona Republic, “She’s at all times the primary to listen to a brand new album. She’s the best listener: an astute, well-read girl, in addition to musical… She’s a really considerate particular person, spontaneous and humorous… Each time I hear Linda Ronstadt’s voice with my phrases and melodies, I simply soften. It was a privilege to be her painter and in addition her musical associate.”

Souther dated not solely Ronstadt however Stevie Nicks and Judee Sill, who was stated to have written “Jesus Is a Crossmaker” about him. However he was not up for revealing an excessive amount of about how these relationships or others affected his lyrics, although he did concede his last 2015 album mirrored his divorce. “Faulkner stated all fiction is autobiographical. However I wouldn’t inform you what,” he stated. “I don’t speak about my private life anyway. There’s a really skinny line between my life and fiction, however I’m not going to be one to say the place it’s.”

He was snug along with his stage of renown. Henley, he stated, is “being paid very well to be on the highway in Europe with the Eagles, and I’m being paid much less effectively to sit down right here on my farm and watch my canine run round within the subject. However I don’t know the way I might take care of it the opposite approach round. I at all times attempt to be grateful. My father was very insistent on having good manners when individuals approached me or complimented me or one thing. However I like the truth that I don’t get made up earlier than I am going out of the home or test to make sure my hair seems to be nice. I’ve bought on these beat-up previous boots proper now and a few Levi’s with a gap within the knee. I don’t actually need to be stopped after I’m within the grocery retailer and have any individual pay a bunch of consideration to me. I’ll be good if that occurs, however it’s not what I would like.”

Souther carried out for his largest viewers in years this previous January when he joined the Eagles at one among their reveals at L.A.’s Kia Discussion board. “What an absolute pleasure,” he posted on Fb, “performing these songs written with my finest friends and now standing subsequent to Don singing ‘Better of My Love’ with him 50 years after it was primary. It’s not possible to wipe the smile off my face. Big due to them and to all of you.”

Souther is survived by his two sisters and his former spouse and her daughter. Donations in JD’s honor could be made to Greatest Mates Animal Society, a company that was essential to him.

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