‘NCIS: Origins’ review: An awkward introduction to young Gibbs

As people in a altering world we crave continuity, reliability. Earlier than we stroll right into a room, we wish to be pretty sure of what we’ll discover — partitions, ground, furnishings, not scorching coals or clouds of poison gasoline. Thus the recognition of the franchise. It could not result in nice, revolutionary artwork, however on the finish of a protracted day, if you kick off your footwear and sink down into the couch, you might not be within the temper for “Les Demoiselles d’Avignon” or a stuffed goat with a tire round its center.

“NCIS,” for Naval Legal Investigative Service, is a theoretically inexhaustible sequence about an elevated group of army police investigating circumstances involving army personnel; you may assume that’s too shallow a drawer to fill a number of sequence over a few years, however you’ll be incorrect, particularly given how skinny the writers are keen to stretch that connection.

The sequence provides a full-course meal of mainstream theatrical potentialities. It’s a police procedural, a metaphorical household comedy, a office comedy, a cleaning soap opera, a melodrama, a low-budget motion journey. You get handsome heroes, a smattering of goofballs, a unusual medical expert or two, just a little romance — the amino acids of many such procedurals, to make certain, however “NCIS” is very deft at combining kick-back leisure with lean-forward rigidity. The army affiliation provides a patriotic aspect, which I think about some viewers prize, although the very premise of the sequence implies that the army isn’t squeaky clear. These aren’t exhibits I typically watch, but it surely’s simple to see why individuals do.

The franchise has included iterations set in Los Angeles, New Orleans, Hawaii and Sydney, every making use of native coloration and taste to a tried-and-true system; some have come and gone, some haven’t been round lengthy sufficient to go, however none is prone to show the endurance or world penetration of the unique, about to embark Monday on its twenty second season.

Following that premiere on CBS, house to all “NCIS” sequence, is the latest addition to the household, “NCIS: Origins.” As an alternative of establishing in a brand new metropolis, nevertheless, we’re being despatched via time, again to 1991, when “newly minted particular agent” Leroy Jethro Gibbs (Austin Stowell), performed by Mark Harmon within the authentic and narrating right here, has simply joined the group he’ll at some point lead. (A group that has not but added the C to its acronym, which appears to be like odd on the windbreakers however is faster to bark at suspects.)

We’re in Oceanside — a brand new metropolis, in any case — on the grounds of Camp Pendleton. That it’s the least clearly horny setting within the “NCIS” assortment — no offense, Oceanside, to not say the ocean itself — is echoed within the group’s drab Quonset-hut headquarters, a stark distinction to the brilliant, fashionable, high-tech lairs of the up to date exhibits. Right here, we’re in a world of cellphone cubicles, pagers and ponderous computer systems nobody is aware of the right way to work, of Walkmans and videotape, which each simplifies and complicates the motion. It’s, in its method, a type of reduction, a trip from Now.

Kyle Schmid as Mike Franks and Tyla Abercrumbie as Mary Jo Hayes in a scene from “NCIS: Origins.”

(Sonja Flemming/CBS)

Harmon, who left the sequence after the nineteenth season to get replaced by Gary Cole, established the mannequin of the “NCIS” group chief — the strict but supportive surrogate father or mother, time-worn, time-tested, ever able to buck hidebound authority when needed. Younger Gibbs, a Marine sniper simply recalled from Iraq after the homicide of his spouse and baby, isn’t (but) that particular person, although we get some hints he is perhaps: his numbered “guidelines,” his “intestine emotions.” In the mean time, he’s neck-deep in trauma, getting in bar fights, failing his “psych eval.” There’s some concern that he’s unstable, not fairly Mel-Gibson-in-“Deadly Weapon” loopy, however doubtlessly a hazard to himself and others.

That the primary character is a member of the group somewhat than its chief, as in different “NCIS” sequence, can really feel just a little awkward, provided that it’s needed for Gibbs, recent behind the ears although he could also be, to face out from the group — that he see what others miss, and might deal with a scenario in an authentic method. When he says of a suspect, “He’s not our man,” it gained’t be that man. It throws the ensemble off steadiness.

The group chief is Mike Franks (Kyle Schmid), Gibbs’ cowboy predecessor and mentor; along with his horseshoe mustache, darkish glasses and cigarettes, he’s like a ’90s cop dressed as a ’70s cop. (Older Franks, performed by Muse Watson, appeared in some dramatic episodes of “NCIS.”) Scorching-shot agent Lala Dominguez (Mariel Molino) is aggressive and cautious of Gibbs. (“You’re on my squad,” says Gibbs upon assembly her. “No, you’re on mine,” she replies, fairly sufficient.) Agent Vera Strickland (Diany Rodriguez), who briefly appeared within the authentic sequence, is up to now underused. (Solely 4 episodes have been obtainable for assessment.)

Darkish emotions and inner conflicts characterize these first episodes, that are stuffed with raised voices, clenched jaws and steely stares. Vital temper lightening is provided by agent Randy Randolf (Caleb Martin Foote), pleasant, chatty and the one one who wears a swimsuit to work; “head secretary in cost” Mary Jo Hayes (Tyla Abercrumbie); and Granville “Granny” Dawson (Daniel Bellomy), promoted after a few episodes to the Okay-9 squad and the care of a canine named Particular Agent Gary Callahan. (“It’s simply the one canine, however he’s all of the canine you want.”) Bobby Moynihan (main comedian reduction), Lori Petty and Julian Black Antelope present forensic backup.

As to Stowell, he’s square-jawed and broad-shouldered and although his casting was clearly the top of many discussions, he doesn’t strike me as somebody who will develop as much as develop into Mark Harmon. (Harmon’s son Sean, who had the unique concept for “Origins,” developed by franchise vets David J. North and Gina Lucita Monreal, performed the youthful Gibbs in “NCIS” flashbacks.) He might stand to loosen up just a little. However maybe that’s the purpose.

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