‘Emilia Pérez’ Is Fearless in Its Ridiculousness
Most individuals on the 2024 movie competition appear to like the film, and those that hate it, actually hate it. Photograph: Shanna Besson Fearless in its ridiculousness, Jacques Audiard’s Emilia Pérez, a cross between Mrs. Doubtfire and Sicario reimagined as a musical, hit Cannes like a tidal wave Saturday evening, drawing prolonged rounds of applause … Read more